JIM TAHANA doesn’t leave much of an impression when he passes you by. But look closer and you’ll sense his hunger – the deep hunger of an insatiable American soul – always scanning to devour something – anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism – the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murder from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim’s rancid sexual impulses and weakening grip on reality deteriorate into a violent despair that will ultimately unlock an unspeakable secret festering within him, bringing The Grief Tourist to it’s brutal and shocking finale…
You May Also Like
On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they’ll ever be able to say goodbye.
No sooner does an all-American family takes possession of a baronial English manor when all manner of peculiar things occurring, including signs that point to the disappearance of a young girl during a solar eclipse decades before. Bette Davis headlines and Lynn-Holly Johnson co-stars in this suspenseful take on haunted houses.
A rising star at agri-industry giant Archer Daniels Midland (ADM), Mark Whitacre suddenly turns whistleblower. Even as he exposes his company’s multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion.
Set amid the military maneuvers and Quatorze Juillet carnivals of turn-of-the-century France, Jean Renoir’s delirious romantic comedy Elena and her Men stars a radiant Ingrid Bergman as a beautiful, but impoverished, Polish princess who drives men of all stations to fits of desperate love. When Elena elicits the fascination of a famous general, she finds herself at the center of romantic machinations and political scheming, with the hearts of several men—as well as the future of France—in her hands.
The drama is centered around four friends and business partners who in one evening are forced to find a way to save their company and themselves. The impossible decision they face is agreeing on who will be the one to sacrifice their freedom to save the others from personal and financial demise. It is a race against time that will put their friendship and sanity to the test. Who will take the fall?
Malibu detective Shannon goes undercover in a group house to discover who murdered one of the women living there. Shannon gets caught up in the sex and parties, not knowing that her every action is being secretly broadcast on satellite TV. When she learns of the broadcast, she puts the clues together and figures out that the men living in the house have sex with all the women for all the world to see. And that’s when her life becomes slated for cancellation.
In a small Mississippi town in 1916, an eccentric spinster battles her romantic yearnings for the randy boy next door. A 1961 film, adapted from a Tennessee Williams play, starring Geraldine Page, Laurence Harvey, John McIntire, Una Merkel and Rita Moreno.
Seyi, a 24-year-old Nigerian-American, works on Wall Street. Desperate to succeed because of his outsider status-due to class and race-he commits a crime, insider trading, which brings his entire world crashing down on him. Seyi’s troubled circumstances force him finally to confront his tumultuous relationship with his ailing father, his romantic relationship with his privileged white girlfriend, and his racial and immigrant backgrounds-with nothing less at stake for him than his soul.
We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.
Tokyo, 1934. The boss of the clan that controls gambling agonizes and some of his followers propose to Nakai to take his place, but he refuses the offer.
