A vibrant, hopelessly romantic physiotherapist meets a handsome young Rajput prince who is the complete opposite of her – and is engaged to someone else.
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Roger Thursby is an overly keen, newly-qualified barrister who rubs his fellow barristers up the wrong way. When he is thrown in at the deep-end, with a particularly hot-tempered judge and tricky case, Thursby learns how to prove himself not only to the judge and fellow barristers but also to the public gallery.
‘Teen Kanya’ is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author’s centenary. The title means “Three Daughters”, and the film’s original Indian release contained three stories, with three central female characters linking the stories together. ‘The Postmaster’ concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. ‘Monihara’ is a supernatural tale about a woman obsessed with the jewels her husband buys for her. ‘Samapti’ follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include ‘Monihara’, and was released as ‘Dui Kanya’, or “Two Daughters”. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn’t hesitate to sleep with those who don’t agree with her to convert them to her cause – which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn’t like taking risks. She imagines that with a name like that, he’s got to be slightly fascist. But names are deceitful and appearances deceiving.
When June is rejected by life, she spirals into a chaotic, schizophrenic world where love and normality collide with humorous consequences.
Grappling with what it means to be a woman in comedy in a post #metoo world, and the inherit misogyny of the comedy industry, this is a delightful comedy special from Scottish comic Eleanor Morton. The show is clever social commentary revolving around Eleanor’s confident American alter ego, and the reality of what it means to inhabit the real world and confront double standards in the comedy industry as her real, Scottish self. Eleanor has performed at The Fringe 6 times, and her 2014 show Lollipop was nominated for a Scottish Comedy Award for Best Show.
Director Franco Zeffirelli’s beloved version of one of the most well-known love stories in the English language. Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
An ex surf pro is forced to take a job at a beachfront hotel teaching obnoxious tourists how to surf. Soon he’s the tennis pro, the yoga instructor, the handyman – he might even be key to saving this family-run, Hawaiian-owned hotel.
Dougie Waters loves nothing more than a weekend barbie and cricket match with his mates. But his paradise on earth is destroyed when his best mate and neighbour Norm is forced to leave town and their new boss, a pompous English administrator called Edward Lords, moves in. The animosity between the two men peaks during one fateful backyard cricket match when Dougie hits a ball that accidentally stuns Edward’s prize winning cat, Dexter. The cat falls into the roaring BBQ and is instantly incinerated, leaving only ashes. Dougie’s son captures footage of the unfortunate event on camera and it is uploaded onto YouTube where the video instantly goes viral! The idea of a backyard cricketing challenge is hatched, with the winner keeping the ashes of Edward’s deceased cat, Dexter. The two teams battle it out in the greatest game of backyard cricket ever for the Backyard Ashes.
Nick and Meg Burrows return to Paris, the city where they honeymooned, to celebrate their 30th wedding anniversary and rediscover some romance in their long-lived marriage. The film follows the couple as long-established tensions in their marriage break out in humorous and often painful ways.
A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old.
