A stranger in the increasingly strange city of San Francisco, Japanese crime novelist Aki is unsure of precisely what role she has to play in a real-life murder mystery involving ambiguous MacGuffins and amorphous identities. Unfolding in lonely places such as bookshops and hotel bars, Dave Boyle’s moody thriller uncovers exhilarating new takes on genre conventions. Consequently, it’s an alluring l’homme fatal who supplies Aki with the breadcrumb trail of clues that entices her into a labyrinthine plot of sinister dealings. In turn, the aging sheriff (veteran character actor Pepe Serna, fantastic in a rare leading role), who should rightfully be riding to her rescue, proves to be equally out of his depth. The game is afoot, the chase is exhilarating and the stakes are perilously high in this inspired neo-noir.
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Two years after a burn-out, Duval is still unemployed. Contacted by an enigmatic businessman, he is offered a simple and well-paid job: transcribing telephone tapping. Duval accepts financially without questioning the purpose of the organization that employs him. Precipitated at the heart of a political plot, he must face the brutal mechanics of the underground world of the secret services.
Viorel, a quiet, upright tractor driver from a small town in west Romania meets Mocanu, a high profile politician campaigning for a seat in the European Parliament. Mocanu’s car has broken down nearby and Viorel and his wife welcome the politician into their humble home. Under investigation for corruption, Mocanu sees an opportunity and decides to stay with this modest family during the rest of the campaign, winning people’s hearts by posing as a common man next to his “old friend”, the honest, hard-working farmer. In return, Viorel will get a new tractor.
Duct tape, electrical cables, trigger, explosives. Sebbe never planned to build a bomb. It just happened. Sebbe is 15 years old and lives with his mother in an apartment that is too narrow. He does his best. He never strikes back. Sebbe loves his mother because he knows nothing else. In the junkyard the dream is alive, and in the hands of Sebbe, dead objects come to life. Here he has the power to create. Here he is free – but alone. His isolation grows as his world shrinks, until one day he is completely isolated with no other than his mother. And when she falls, everything falls.
A portrait of two couples at a crossroads. What was supposed to be a romantic getaway for two young lovers, turns into an uncomfortable confrontation when the young man’s estranged father shows up … with his own girlfriend. As their collisions mount, the weekend transforms into a major turning point for each of them.
Worried that he has gotten the free-spirited Mindy pregnant after an unprotected one-night stand, Fred feigns romantic interest and sticks by her side for twelve hours to make sure she takes both doses of the morning-after pill.
The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua, an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.
In a future world, the ‘Wonderland’ service – which uses AI to replicate people who have died – has become widespread. Baili signs up for Wonderland in order to hide her impending death from her young daughter. After an accident leaves her boyfriend Tae-ju in a coma, Jung-in passes the days chatting with an AI-revived version of Tae-ju who has become an astronaut in space. In this way it is possible for people to choose a life free from longing and sadness.
Bill Dancer and his young companion Curly Sue are the classic homeless folks with hearts of gold. Their scams are aimed not at turning a profit, but at getting enough to eat. When they scam the rich and beautiful Grey Ellison into believing she backed her Mercedes into Bill, they’re only hoping for a free meal. But Grey is touched, and over the objections of her snotty fiancé.
Charlotte Bronte’s classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is given a standard romantic flare, but sparks do not seem to happen between the two leads in this version.
Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.
