It is the dawn of World War III. In mid-western America, a group of teenagers band together to defend their town, and their country, from invading Soviet forces.
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Ali and Ceren are two friends trying to make a living by acting. The fact that the theater plays directed by their mutual friend, Burak, is left without an audience and the interviews with the actors, which result in constant disappointment, cause disappointment to Ali one after the other.
In the tradition of such classic films as “Miracle On 34th Street”, a hip, eccentric marketing genius teaches a widow and her son the miracle of Christmas.
A young Sardar Udham Singh left deeply scarred by the Jallianwala Bagh massacre, escaped into the mountains of Afghanistan, reaching London in 1933-34. Carrying an unhealed wound for 21 years, the revolutionary assassinated Michael O’Dwyer on 13th March, 1940, the man at the helm of affairs in Punjab, April 1919 to avenge the lost lives of his beloved brethren.
A secretary is found dead in a White House bathroom during an international crisis, and Detective Harlan Regis is in charge of the investigation. Despite resistance from the Secret Service, Regis partners with agent Nina Chance. As political tensions rise, they learn that the crime could be part of an elaborate cover-up. Framed as traitors, the pair, plus Regis’ partner, break into the White House in order to expose the true culprit.
Blackmailed into murdering, a casanova is presented with the opportunity of living two lives. One in which he commits the crime and the other in which he refuses and goes on the run.
A young girl lives in the Outer Hebrides in a small village in the years just before WWI. Isolated and hard by the shore, her life takes a dramatic change when a terrible tragedy befalls her.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
