A group of friends plan out a detailed heist that turns deadly when one betrays the other by taking off with the goods. Taking matters into his own hands, Sonny seeks out his revenge teaming up with the most dangerous mob boss in town to get back what is rightfully his. When he finally comes face to face with his longtime friend he will be forced to make a life changing choice.

Araf is the story of Zehra and Olgun whose lives are caught in a vacuum. The world in which they live and work is a place of throwaway culture and constant change. They too are waiting for a chance to change and escape from their empty, monotonous lives.

A young woman (Sandra Bullock) mysteriously disappears, sending her boyfriend Jeff (Kiefer Sutherland) on a years-long quest to find her. Not even a new love (Nancy Travis) can keep him from his obsessive search. All the while, the calculating psychopath (Jeff Bridges) who kidnapped his girlfriend stalks Jeff, ultimately taking him through the exact same steps that led to the crime. In order to find out what happened, Jeff must put his own life in the hands of this devious stranger.

Kelly (Antonia Campbell-Hughes) meets Victor (Julian Morris) while they are both loved up on the dance floor of a Liverpool nightclub. They are soon in her bed, fucking with an urgent intensity that neither has experienced before. These are two characters struggling to get by as best they can while the people around them are choosing illegal lifestyles; her best mate is a dominatrix prostitute, his pals are aspiring drug dealers. It’s when they get into bed with each other that their darker instincts take over.

With all of his friends headed to a party on the last night of 1999, Austin takes an extra shift at the Quality Mart gas station and is forced to look down the barrel of what it means to graduate high school and face a future stuck in his middle of nowhere hometown. He’s got one night to make his dreams come true, legal or not, and he’s taking it.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

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Louisa May Alcott’s autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth are at home with their mother – a very outspoken women for her time. The story is of how the sisters grow up, find love and find their place in the world.

After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.

The second movie of a four-part finale of Tamayura.

In Momma’s Man an adult decides to escape the pressures of life and return to his old bedroom at his parents’ house. An odd premise, but executed with skill and tenderness.

The gang return for their third adventure, this time on a trip to scatter Grace’s mother’s ashes on the Yorkshire Moors.