Spring has sprung, and baby Roo is excited to get out and explore and make new friends. But Rabbit seems preoccupied with spring cleaning, instead of embracing his usual role of playing Easter Bunny. Leave it to Roo to show Rabbit — through love — that it’s more important who you love and not who’s in charge.
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A serial killer, never caught, leaves clues and messages signed ‘BSP’ after quickly murdering each man but torturing his girl to death. His last case is an exception, the detective in charge finds his wife murdered while has pre-teen daughter had to watch. Thirty years later, she’s still obsessed by the case, which drove her dad insane, and a police detective herself. When the whole cycle starts again, she gets convinced it’s not BSP but an ambitious copy-cat, but he certainly outsmarts her every time. He also makes clear she’s to be his final kill. Meanwhile she alienates even colleagues with her arrogance and obsession, finally to be suspended as the FBI takes over
A jaded prima ballerina reminisces about her first love affair after she is unexpectedly sent her lover’s old diary.
Morgan showcases her life via intimate tales about her upbringing in a small town in Tennessee, her almost 20 years of marriage, the challenges of parenting her three children, and her first experience as a grandmother.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
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