Alison Dodge, a 17-year old raised by her mother, decides on her own to spend her last summer before college getting to know her father
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Crazed scientist Herbert Von Krantz has invented a device to sterilize all nuclear weapons — and a mad herd of rival spies are desperate to get their hands on the device, including a sect of bald, turtleneck-wearing assassins.
Jess Tyler lives a quiet life next to an abandoned mining factory by himself in the desert. His life is turned upside down when a sexually provocative young woman comes to visit him and tells him she’s his daughter. Jess finds it hard to adapt to his newfound parenting role, as a mutual attraction grows between them.
Ferro Olivetti, a billionaire playboy and businessman, promises to fulfill his dying father’s final request: to live one month without his wealth.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
A street smart runner develops an intense rivalry with an equally ambitious wealthy young athlete.
Jide and Hauwa Pedro accidentally run over a teenage girl while having a lover’s spat on their way from an event. Jide refuses Hauwa’s request of taking the girl to a hospital having thought of the doom that awaits his political career and family name.