Profile of seminal punk group The Clash.

Behind the low life standard of Hong Kong Asylum Seekers, Docu-Drama uncovers the events including “Suicide of Pakistani Asylum Seeker “Mr. Idris” who hung himself with a tree in a garden and took his life”. How Asylum Seekers risk their lives and cross Hong Kong Border illegally. The ground realities and reasons that why Asylum Seekers mostly involve themselves into Criminal Activities and do not lead a normal life in Hong Kong.

As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed “John Doe,” who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate “Doe.” Ann and her bosses cynically milk the story for all it’s worth, until the made-up “John Doe” philosophy starts a whole political movement.

Tommy Little is the reigning rock star of Australian comedy. Now the country’s favourite dickhead has done something that nobody thought was a good idea, he became a pilot. While most of us were busy giving up on baking in the lockdowns, Tommy aimed for the heavens, taking flying lessons and nailing his first solo flight (well, sort of). You’ll hear about this, and other adventures in Pretty Fly For A Dickhead. On stage, Tommy is a perpetual motion machine, constantly working the crowd and landing line after line.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

This pulse-racing real-life adventure follows two of Australia’s greatest surf legends on their quest to hunt down and ride the Pacific’s biggest and most dangerous waves. With 3D cameras installed on their boards, Ross Clarke-Jones and Tom Carroll defy middle age by pushing the limits of what they — and cinema technology — can do. (TIFF)

Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future.

A landmark court decision in Massachusetts allows gay people in that state to marry – forcing activists, legislators, and ordinary people to reconsider how they view same-sex relationships.

In the 1930s, a social set known to the press – who follow their every move – as the “Bright Young Things” are Adam and his friends who are eccentric, wild and entirely shocking to the older generation. Amidst the madness, Adam, who is well connected but totally broke, is desperately trying to get enough money to marry the beautiful Nina. While his attempts to raise cash are constantly thwarted, their friends seem to self-destruct, one-by-one, in an endless search for newer and faster sensations. Finally, when world events out of their control come crashing around them, they are forced to reassess their lives and what they value most.

In 1971, a group of friends sail into a nuclear test zone, and their protest captures the world’s imagination. Using never before seen archive that brings their extraordinary world to life, How To Change The World is the story of the pioneers who founded Greenpeace and defined the modern green movement.

Jessica has a big presentation in Palm Springs. There are a couple of problems though: her two kids who will do anything to get mom and dad back together again – even if they have to hack mom’s phone or pose as a secretary to make sure dad’s in Palm Springs too. And father Joe who’ll do anything to charm his way back into Jessica’s life.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the “I have nothing to hide” argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.