Police Chief Jesse Stone, who was suspended by the Paradise, Mass. Town Council, begins moonlighting for his friend, State Homicide Commander Healy, by investigating a series of murders in Boston, leaving Rose and Suitcase to handle a crime spree in Paradise on their own. Jesse pours his energy into his work in an effort to push away his twin demons: booze and women. When his investigation leads to notorious mob boss Gino Fish, Jesse’s pursuit becomes hazardous.
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Tired of their mother’s alcoholism and a string of her abusive boyfriends, two sisters plot to kill her.
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he is to find out what top terrorist, Rocco, has planned for when he escapes. Frank’s wife, Jane, is desperate for a baby.. this adds to Frank’s problems. A host of celebrities at the Academy awards ceremony are humiliated by Frank as he blunders his way trying to foil Rocco.
Darryl is a childlike man with a genius for inventing various gadgets out of junk. When he stumbles on a method to make his clothes bulletproof, he decides to use his skills to be the lowest budgeted superhero of all.
THE MISSING GIRL tells the story of Mort, the lonely and disillusioned owner of a comic book shop, and Ellen, the emotionally disruptive graphic novelist he’s hired. The story involves the search for a girl who isn’t missing and the discovery that it’s never too late for late bloomers.
The ST team at the Tokyo Metropolitan Police Department consists of eccentric members. Some members do not cooperate with others and others do not reveal themselves in front of others. With Samon as the leader of the ST team and young Inspector Tomohisa tasked with managing the team, the ST (Scientific Task Force) attempt to solve the most difficult of cases.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.
Disc jockey Michelle Hall attracts the amorous attention of an unknown, demented fan. Meanwhile, back at home, her nosy neighbor seems to watch and know every move she makes.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
A story about two lifelong criminals who maneuver through the shady underbelly of Los Angeles in search of wealth, love and redemption.
In a world divided into factions based on personality types, Tris learns that she’s been classified as Divergent and won’t fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it’s too late.
