In the late 19th century, Paula Alquist is studying music in Italy, but ends up abandoning her classes because she’s fallen in love with the gallant Gregory Anton. The couple marries and moves to England to live in a home inherited by Paula from her aunt, herself a famous singer, who was mysteriously murdered in the house ten years before. Though Paula is certain that she sees the house’s gaslights dim every evening and that there are strange noises coming from the attic, Gregory convinces Paula that she’s imagining things. Meanwhile, a Scotland Yard inspector, Brian Cameron, becomes sympathetic to Paula’s plight.
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In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots… and his son becomes a target.
A struggling entrepreneur is visited by an archangel, who tells him that he has been chosen to act as a prophet and save his hometown from corruption. He must also battle a demon that has manifested in his life, constantly whispering negatives into his mind. His marriage, his business, and his sanity will be pushed to the limit on this spiritual quest to let go and find faith.
Quand la Femme S’en Mele (When the Woman Butts In) stars French film favorite Edwige Feuillere as a high-class gangster’s moll named Maine. When Maine’s first husband and daughter pay a visit, it’s an awkward time for our heroine and her current amour, gang boss Godot (Jean Servais). In addition to fielding a lot of embarrassing questions, Godot also has to deal with a pesky turf war with a rival mobster. Not that the ex-husband is a paragon of virtue: he’s busy trying to get even with a crooked business associate.
A college-age brother and sister get more than they bargained for on their road trip home from spring break. When the bickering siblings witness a creepy truck driver tossing body bags into a sewer near an abandoned church, they investigate. Bad move! Opening a Pandora’s Box of unspeakable evil, the pair must flee for their lives — with a monstrous “shape” in hot pursuit.
Singer is a deaf-mute whose small world brings him in contact with a young girl, Mick, who cherishes a seemingly hopeless dream of becoming a concert pianist. At first hostile, Mick soon becomes friends with Singer, hoping to enlarge his small world. Three other central characters come to Singer for help also, each of them seeing in him a powerful force.
Pediatrician by day, single mom by night, SARAH invites her estranged husband, PETE, back to their suburban home for the Holidays on one condition: he must reconcile with their daughters before she agrees to finalize a trial separation with divorce.
Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, ‘I think cinema, when it’s not boring, is the art of letting ghosts come back.’ He also says that ‘memory is the past that has never had the form of the present.’
A young woman and her fiancé are in search of the perfect starter home. After following a mysterious real estate agent to a new housing development, the couple finds themselves trapped in a maze of identical houses and forced to raise an otherworldly child.
On a calm summer day in 1991, in the bustling Lokhandwala Complex, five criminals including Maya and Dilip were counting 70 lakhs in flat no. 32 B, when 286 policemen, headed by ACP Khan, took strategic positions around their building. A gunfire ensued and the entire nation witnessed the most talked about daylight encounter lasting 6 hours that transformed suburban Mumbai into a war zone.
