After being punished for retreat from combat, Ranger David Martel is given command of the Liandra, a haunted 20-year old Minbari fighting ship. He’s escorting ambassadors to a secret archaeological site, the oldest city on record and a clue to a dangerous ancient race.

When mysterious foreign entrepreneurs appear with the intention of tearing down Treasure Town and replacing it with an amusement park, Black and White face their greatest adversaries yet. It is up to the destructive Black to save the fate of the city and up to the gentle White to save Black from his own dark nature. On the street of an unnamed city, literally high-flying urchins Black and White look to protect their turf from invasion from other gangs. While he can be tough in a fight or wielding a weapon, White is an 11-year-old who can’t even dress himself. Slightly older, Black is more worldly and treats his buddy with paternal love. Both look on their city as “our town.” Also prone to seeing the city as his property is world-weary yakuza leader Suzuki, aka the Rat. Feeling the town has become too placid, Suzuki plots his return, much to the consternation of local police.

Yamakasi – Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.

The Vigilante Diaries is a high octane action-adventure film featuring 90’s movie heroes, explosive action, and international espionage. The film revolves around a team of black-ops agents turned crime-fighters, led by a brooding anti-hero, known only as “The Vigilante.” These jam-packed missions of rescue and revenge take us from the mega-mansions and underbelly of Los Angeles to far away places like Iraq, Armenia, Russia, and The United Kingdom to introduce us to a cast of colorful, dangerous, and hilarious characters. From Beverly Hills filmmaker Mike Hanover, to a trio of Asian femme fatales, to ruthless Armenian mobsters, and at the top, a pair of deep cover super spies hell bent on throwing the world into chaos.

Sarah plans a birthday weekend at her family home, bringing together an unlikely group of friends and relatives. While playing a mysterious card game, legend becomes reality and they struggle to survive as the living game turns them against each other.

ZOMBIE WITH A SHOTGUN is the feature adaptation of the popular web series of the same name. Aaron and Rachel are on the run due to the fact that Aaron is infected by what seems to be a zombie virus. As the story unfolds, they find that there is more to this infection than it seems. For some reason, he has not developed the full zombie virus. He seems to be trapped in a transitional phase which grants him certain abilities. One of them is the ability to communicate with other zombies. This makes Aaron a valuable pawn as he’s being pursued by shadowy figures with ulterior motives. Now he must stay alive (or undead) long enough to figure out the source of his infection!

It’s a romantic triangle with a lot of heat when a psychologist (JoBeth Williams) falls in love with a widowed professor (Pierce Brosnan) who’s having an affair with one of her patients (Virginia Madsen). Williams turns a dangerous page when she uncovers that Brosnan is not only the root of Madsen’s emotional turmoil, he also murdered his wife in order to be with Madsen. Better up that day rate.

Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination

moody daughters, Rachel and Dina have a close relationship. Dina tells her everything… or so Rachel thinks. When Dina suddenly commits suicide, Rachel is devastated and confused. Her search for answers as to what happened in her daughter’s final days leads her to some painful discoveries about the secrets that Dina was trying to keep and the bullying that was tearing her apart.

Blocking out the shadows of his past Max Payne is unexpectedly confronted by former friend and love interest Mona Sax, who reveals vital information that can bring down drug lord Jack Lupino.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

Undercover Las Vegas police officer Vincent Downs is caught in a high stakes web of corrupt cops and the mob-controlled casino underground. When a heist goes wrong, a crew of homicidal gangsters kidnaps Downs’ teenage son. In one sleepless night he will have to rescue his son, evade an internal affairs investigation and bring the kidnappers to justice.