Depicts the love lives, jealousies and desires of those that work within the Sanguiwon during the Joseon Dynasty period. The Sanguiwon are responsible for the attire worn by royalty. Dol-Seok (Han Suk-Kyu) is the best master artisan in charge of royal attire. He views set rules as paramount to his job. Kong-Jin (Ko Soo) is a genius like designer, born with dexterity and an excellent sense. He was brought to the palace by nobleman Pan-Soo (Ma Dong-Seok) who first spotted his talent. The King (Yoo Yeon-Seok) and Queen (Park Shin-Hye) then become embroiled in a critical case because of the royal attire made by Dol-Seok and Kong-Jin.
You May Also Like
After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.
A rather dull minded bank robber suddenly suffers from a change of heart and decides to give the money back. However, he then learns that getting the money back into the bank is much more difficult than taking it out.
The third in a series of films featuring François Truffaut’s alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine’s father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers’ seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
A young IPS officer’s new posting in rural India has him confronting caste disparities and uncomfortable truths in the face of a gruesome crime. When three girls go missing in the fictional village of Lalgaon, two of them are found dead and there is no trace of the third one. Where is she and who is responsible for this heinous act?
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
Bride of Frankenstein begins where James Whale’s Frankenstein from 1931 ended. Dr. Frankenstein has not been killed as previously portrayed and now he wants to get away from the mad experiments. Yet when his wife is kidnapped by his creation, Frankenstein agrees to help him create a new monster, this time a woman.
The poet and journalist Ladima commits suicide and his friend, Fred Vasilescu, tries to find out the reasons of those actions. In his search he discovers a mysterious Miss T.
Two brothers commit a robbery to pay their dying mother’s medical bills and are forced to steal an ambulance during their getaway. But, unbeknownst to them, the ambulance has a dying heart patient and a hospital intern in the back.
On Christmas Eve, a fighter pilot on his way home gets lost mid-flight over water and needs a miracle to land safely.