Battling insomnia and undiagnosed PTSD, a war veteran works nights as a projectionist at a decrepit theater. While struggling to adapt to civilian life, he soon finds himself tangled in an inescapable web of seduction, addiction, and violence.
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In the course of one crazy night, a down on his luck valet parking attendant loses a gangster’s car and his heart to a dangerous blonde with a death wish.
A penniless mother, with her infant child, takes on a journey by land and sea to find her husband in Manila. But this trip won’t be free for she has to use her body to get to her destination.
Counterculture journalist Paul Krassner embarks on an LSD tinged investigation of the last of Manson’s disciples: Brenda McCann, Sandra Good, and Lynette ‘Squeaky’ Fromme in order to find out if the Manson Murders were a CIA conspiracy.
Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis’s “Memoirs Of A Geeza” starring Elliot Warren and Tony Richardson; Joe Morris’s “We Are Dancers” starring Hans Piesbergen and Simon Eckert; Zachary Ayotte’s “My Dad Works The Night Shift” starring Victor Boudreault, Antoine L’Écuyer, and François Trudel; Loïc Hobi’s “The Pier Man” starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury’s “My Sweet Prince” starring Yodi Roodner; Abel Rubinstein’s “Dungarees” starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson’s “Clothes & Blow” starring David Menkin and Nancy Baldwin; George Dogaru’s “A Normal Guy” starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood’s “Pretty Boy” starring Orlando Norman.
Delphine and Solange are two sisters living in Rochefort. They are both looking for love, without being aware that their ideal partner is very close… A film where the scenario is much less important than its feeling of euphory, according to the director Jacques Demy.
Men steal for it. Nations go to war for it. The it is oil – and it grows on trees. Coconut oil is the precious lifeblood of 1870s South Seas traders. And lots of real blood will be spilled to get it! Screen royalty Burt Lancaster ist His Majesty O’Keefe in this last of three adventures that (along with The Flame and the Arrow and The Crimson Pirate) blew a revitalizing wind into the sails of the swashbucker genre. Action, cunning and derring-do are watchwords of the title seafarer as he befriends, defends and ultimately rules the islanders of exotic Yap. Lensed on gorgeus Fiji locations, grandly scored by Robert Farnon and rousingly directed by Byron Haskin, His Majesty O’Keefe delivers heroics of regal proportions.
Jennifer, Stefanie, and Joey are making a movie. But soon the lines between what is a movie and what is real begin to disappear. And when making a horror movie, that can be a difference between life and death.
The story is about a 12 year old girl who loses her mother in an automobile accident. Her father struggles with the loss of his wife and trying to raise his young daughter who believes her father is partly responsible for her mother’s death. Belle’s maternal grandfather is a changed man since losing his daughter in the accident. He finds it difficult to have a relationship with Belle since she is a constant reminder of her mother. It is Atticus the new puppy who will change Belle’s life and the lives of those who love her
Greg,an unsuccessful screenwriter and Rachel,a beautiful journalist research an outbreak of mass hysteria in a small village. They start to uncover a secret about ergot poisoning that has affected this village for years. But the cult activity has been kept a secret by the locals and when Greg disappears, Rachel is left alone to unravel the mystery and save their lives.
A maladjusted dad is trying to heal in an experimental therapy group called Infinite Beginnings. Meanwhile, his nonbinary kid is getting close with an older man. Their relationship feels both dreamy and concerning—depending on whose watching.
A journalist wrongly accused of murder enlists the help of a femme fatale to track down the real killer.
