Gang-du is a dim-witted man working at his father’s tiny snack bar near the Han River. One day, Gang-du’s one and only daughter Hyun-seo comes back from school irritated. She is angry at her uncle, Nam-il, who visited her school as her guardian shamelessly drunk. Ignoring her father’s excuses for Nam-il, Hyun-seo is soon engrossed in her aunt Nam-joo’s archery tournament on TV. Meanwhile, outside of the snack bar, people are fascinated by an unidentified object hanging onto a bridge. In an instant, the object reveals itself as a terrifying creature turning the riverbank into a gruesome sea of blood¡¦ Amid the chaos, Hyun-seo is helplessly snatched up by the creature right before Gang-du’s eyes. These unforeseen circumstances render the government powerless to act. But receiving a call of help from Hyun-seo, the once-ordinary citizen Gang-du and his family are thrust into a battle with the monster to rescue their beloved Hyun-seo.
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Paulette Van Der Beck and her husband have been running the housekeeping school of Bitche in Alsace for many years. Their mission is to train teenage girls to become the perfect housewives at a time when women were expected to be subservient to their husband. After the sudden death of her husband, Paulette discovers that the school is on the verge of bankruptcy and has to take her responsibilities. But while preparations are underway for the best housekeeping competition TV show, she and her lively students start questioning their beliefs as the nation-wide protests of May 1968 transform society around them. Reunited with her first love, André, and with the help of her eccentric stepsister Gilberte and strict nun Marie-Therese, Paulette joins forces with the schoolgirls to overcome their suppressed status and become liberated women.
High school teenagers accidentally unleash an ancient Irish entity on their hometown and must stop it before midnight on Halloween.
Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft.
After a nuclear holocaust tears the world apart, mankind is forced to the harshness of not only the oppression of others who are much more powerful, but the dead earth which seems to be getting worse with every passing moment. But a savior has risen from the ashes, a man who will defeat those who would torment the weak and make the world a livable place once more. A man named Kenshiro…
Orchestra Rehearsal (Italian: Prova d’orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota’s death in 1979.
NRI corporate Sundar Ramasamy comes to India to vote, only to learn that his vote has already been cast. While he reclaims his right legally, it also sets in motion a chain of events that eventually lead to him entering the political fray, trying to change the system.
Having cleared his name, genius mechanic Lino has only one goal in mind: getting revenge on the corrupt cops who killed his brother and his mentor.
Hoping to fix their dysfunctional marriage, a couple travels to an isolated mountain cabin to work out their problems – but the one problem they didn’t anticipate is the maniac trying to kill them.
A drama about several lonely inhabitants of the same council estate, adapted by Benchetrit from his novel.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
When Lucy’s childhood sweetheart plans to tear down the Gilded Age estate and replace it with a golf course, Lucy fights to preserve the historic mansion at all costs. As Lucy and Duncan set out to find a compromise, they learn that embracing the past may be the key to protecting the future.
