A beautiful girl who has everything. Charming, playful, in her own words: ‘too joyful to fall in love.’ A sudden car crash, and her heart stops for a few minutes. When she wakes up, everyone assures ‘every-thing’s alright.’ But she knows it isn’t. Because she cant remember her final month; a September of her life is missing. Leading a trail of hastily covered clues she finds herself in a remote Aegean island. A weird looking, grubby recluse, comes up-to him and proclaims: ‘Don’t you remember me? I’m the man you fell in love with.’ Everything sensible about her screams ‘get out of there’ but she follows her memories right onto the tragic end of a miraculous affair.
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Determined to win an ice cream competition with a flavor inspired by her late Tia Abuela’s Puerto Rican treats, a teen girl turns to her trailer park neighbors to help figure out the winning recipe.
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles
For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that’s when Bill’s adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to “rescue” him from the savagery of the untamed jungle, Tommy challenges Bill’s idea of true civilization and his notions about who needs rescuing.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
A Man and a Woman wander through a hostile wilderness in a far-away world. One day, they stumble upon a mysterious set of Structures, which will complicate their lives both for good and ill.
When a single mom Erin (Stephanie Bennett) takes her daughters to spend Christmas with her estranged dad on his Texas ranch, she unexpectedly falls in love with local restaurateur Mateo (Marco Grazzini) while learning to forgive her father for the past.
Wendy Walton is the best designer in Boston… but no one knows it yet. Hoping to kick-start her career, Wendy has left work with the local theatre to take a job as an assistant to Priscilla Hall, the most prestigious designer in the city. Ms. Hall works Wendy around the clock, which is how Wendy finds herself trapped in an elevator late one night with an incredibly handsome stranger. Wendy and the mystery man share an impulsive, romantic, life changing kiss before the doors open and Wendy runs out, leaving him behind. The next day at work, Wendy answers the door to find the handsome gentleman standing in front of her.
In a near future, the world order has changed. With its 10 millions of unemployed citizens, France has now become a poor country. Its people wavers between rebellion and resignation and find an outlet in the shape of TV broadcast ultra brutal fights in which the players are legally doped and unscrupulous.