In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

Jim, a white straightedge punk with a violent past, and Fred, a young black hip-hop revolutionary struggling to raise a son, spend their lunch breaks at St. Mark’s Comix together. Overwhelmed by the violence that surrounds them, the two form a friendship despite the fact that they come from different worlds. Jim’s friends, a crew of noble but misguided kids, learn that a friend was killed by a drunk driver. In their rage and frustration, they form a gang called One Less Drunk, intent on stopping drunk drivers before they get to their cars.

Set during a pandemic, the film tracks the movements of its central protagonist – The Wanderer, a young girl, on an intrepid journey across England. Presented across six chapters, including ‘The North’, ‘The Land of Smoke’ and ‘The Kingdom of the East’, this epic film builds a dialogue around the themes of class and economic exclusion, belonging and displacement, cultural heritage and the meaning of home.

During her birthday celebration, Tess and Logan find themselves swept up in a world that isn’t always what it seems when the headlining magician at the Magic Manor winds up dead.

A week in the life of a bus driver and poet named Paterson, and his supportive wife Laura.

Four teenagers from a rural village in South West Nigeria stumble upon a pouch of uncut diamonds — but before long, others come looking for the bounty.

A drama centered on a troubled young woman who moves to San Francisco, where she gets involved in pornography and aligns herself with a cocaine-addicted lawyer.

In an alternate world where hearts are made of objects and suppressing emotions is self-care, a lonely woman rips out her own heart for the man she loves, only to discover that he has run away with it.

Seventeen year old LOLA FRANKLIN runs away from home but allows the world to believe she has been kidnapped. Intent on making her way across country, she meets a boy (MARLO) her age in a New Mexico diner. They fall instantly in love. But when Marlo learns of the reward for Lola’s safe return, he must confront his own past and decide whether to take Lola back home to collect the reward or help her continue her mysterious journey.

Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family’s children. “Bicentennial Man” follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don’t have an ordinary robot.

Two new female police officers struggle to survive a force filled with corrupt superiors and the brutal world of the criminal mafia.

This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.