Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family’s cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger bother, Minus, is confused by Karin’s vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.
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At dawn, Kelsey Akioka hikes out onto the Kalapana lava fields with a camera in hand and 80 lbs of gear on his back. We observe his methodical photography process amid one of nature’s most beautiful and chaotic events. Under the shade of a pop-up tent, he sells these photos at a small makeshift marketplace to apathetic tourists. By the end of the day, Kelsey returns home, exhausted and worn, to his son and elderly father. When he learns his friend is sacrificing his passion and moving away from home to pursue a better life for his family, Kelsey begins to question his own choices. As his frustrations spill into his home life, Kelsey must confront the turmoil stirring within him.
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with Ishika; while another male student is hopelessly in love with Sanjana; and a third man named Karan is in love with a married woman named Kiran. No amount of persuasion can get Narayan to change his mind. Then the college recruits a music teacher named Raj, who eventually starts fanning the flames of love among the students, much to Narayan’s chagrin, anger, and displeasure. Things get worse when Narayan finds out that Raj was the very man who fell in love with his daughter who eventually committed suicide when he didn’t grant them permission to get married. Will the six young people be also heartbroken by Narayan, and if so, who will be the first to kill himself or herself?
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