A young woman who is determined to maintain her independence finds herself at odds with her family who wants her to tame her wild side and get married.

This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.

Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.

Benny, a college freshman at the University of Akron, Ohio meets and falls for fellow freshman Christopher at a football game. With the support of their families and friends they embark on a new relationship. But a tragic event in the past involving their mothers soon comes to light and threatens to tear them apart.

A boy with a massive facial skull deformity and biker gang mother attempts to live as normal a life as possible under the circumstances.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother’s purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

After their parents abandon the family, a young woman works to take care of her younger siblings.

After her job and relationship implode on the same day, Sofia starts from scratch — and meets a dashing Spanish chef who might be her missing ingredient.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

Vicaria is a brilliant teenager who believes death is a disease that can be cured. After the brutal and sudden murder of her brother, she embarks on a dangerous journey to bring him back to life.

An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo’s directorial debut is a lyrical, meditative film charged with sex and violence.

Nemo, an adventurous young clownfish, is unexpectedly taken from his Great Barrier Reef home to a dentist’s office aquarium. It’s up to his worrisome father Marlin and a friendly but forgetful fish Dory to bring Nemo home — meeting vegetarian sharks, surfer dude turtles, hypnotic jellyfish, hungry seagulls, and more along the way.