Sunhi from the Department of Film stops by the school one day to get a letter of recommendation from Professor Choi to leave to the US. She expects him to write her a nice one since he took favor to her. She runs into two men from the past she’s never met in a long time; Moon-soo, a recently turned movie director and senior director Jae-hak.
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Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o’clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.
An adulterous woman’s life is torn apart when her husband and infant son are killed in a suicide bombing at a soccer match.
Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled to a humiliating desk job in Nevada as the federal receiver managing a legal brothel in tax default, where — with the help of the brothel Madam, Lady Magdalene — he uncovers an Al Qaeda plot to unload a nuclear-bomb-sized crate at Hoover Dam.
In a breakout hour of comedy, Dina Hashem discusses everything from death threats and existential dilemmas, to relationship problems, quiet people, and her upbringing as a first generation Arab-American.
A former rodeo star, now a motel manager, meets a young man who is responsible for the violence that suddenly has seized his small town.
A college student returning home for Halloween is forced to face his childhood fears when an escaped killer takes refuge in his family’s “Haunted Hayride”.
Discovered at a young age, the shy, squeaky-voiced Michel’le was plucked straight from South Central, Los Angeles and catapulted into the spotlight while riding N.W.A.’s rocket ride of early success. Surrounded by industry visionaries from Eazy-E to Tupack Skaur, Michel’le quickly climbed the charts, but her musical successes were soon overshadowed by betrayal and corruption. A nearly decade-long romance with the infamous Dr. Dre pushed her into a life tarnished by alcohol, drugs and violence until her savior came in the unlikely form of Suge Knight, co-founder of Death Row Records and Dre’s business partner. Friendship would turn into a courtly romance, but the union Michel’le thought they had did not end happily ever after. With children from both men and a career to protect, Michel’le’s voice became silenced by Compton’s biggest power players. Until now.
In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.
Breaking up with Mark Darcy leaves Bridget Jones over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a dashing and handsome American named Jack. Things couldn’t be better, until Bridget discovers that she is pregnant. Now, the befuddled mom-to-be must figure out if the proud papa is Mark or Jack.
This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and – at times – goofy story that becomes increasingly poignant as the minutes tick by.
It’s the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy’s pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
