Lee Jang-hwan receives widespread acclaim and media attention after successfully cloning human embryo stem cells. A TV news program PD, Yoon Min-cheol, receives a phone call from an anonymous source who says he has worked with Dr. Lee on the stem cell project. The source blows the whistle on Lee’s work, revealing how Lee fabricated research results and engaged in unethical practices.
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Lonely college freshman Alex has closed himself off from his peers, who all appear to have this whole “college thing” figured out. But everything changes one night when Alex takes a leap and attends a party at Shithouse – a legendary party fraternity – where he forges a strong connection with Maggie.
A mother and her young son release unimaginable horrors from the attic of their rural dream home.
A wildly inventive deconstruction of the romantic comedy built around the question: What would you do if you could travel to your loved ones’ past, heal their traumas, fix their problems, and change them into the perfect partner?
A group of punk rockers kidnap a business man because they believe he is a werewolf.
This film focuses on contemporary 30- and 40-somethings trying to make sense of their lives in an age in which the old certainties have disappeared. Lorenzo and Davide make their lives together within a circle that includes Antonio and Angelica, married with children; Nerval and her policeman husband.
A young drifter, struggling to makes ends meet, accepts a job to kill a prominent accountant. When he isn’t paid for the hit, revenge is now his path.
George, convinced a ghost killed his family, hires Robert, a talented Medium frustrated by his job. As the dead return to tell of ghostly seduction, demonic rage, and brutal murder, Robert discovers a horror more real than any ghost story.
Abe is a man who is in his thirties and who lives with his parents. He works regretfully for his father while pursuing his hobby of collecting toys. Aware that his family doesn’t think highly of him, he tries to spark a relationship with Miranda, who recently moved back home after a failed literary/academic career. Miranda agrees to marry Abe out of desperation, but things go awry.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.