Born Free (1966) is an Open Road Films Ltd./Columbia Pictures feature film starring Virginia McKenna and Bill Travers as Joy and George Adamson, a real-life couple who raised an orphaned lion cub to adulthood, and released her into the wilds of Kenya.
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A girl, abandoned by her mother when she was three, moves to a small town in Florida with her father. There, she adopts an orphaned dog she names Winn-Dixie. The bond between the girl and her special companion brings together the people in a small Florida town and heals her own troubled relationship with her father.
Kennedy Blaine, a Californian girl, inherits a ranch in the small town of Valentine in Nebraska. Before she sells the property, she decides to spend the summer in her house and learn more about her family.
After a heist gone wrong Tom, a low rent criminal is forced by the local crime boss to kill his partner and best friend. Setting off into the Mojave desert under the guise of moving a body they buried two years ago, Tom delays the deed just long enough for a cadre of colorful characters to descend.
Romance rekindles for Peyton and her closest friends when her parents decide to host a holiday themed reunion before selling their family owned summer camp.
Two estranged stepfamilies reluctantly gather at a Central Florida home for an anniversary party, fully intending to keep the visit brief – but Hurricane Charley takes an unexpected turn that changes everything.
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi
When a handsome young Indian couple (Saif Ali Khan and Kareena Kapoor) moves into the suburbs to claim their stake in the American dream, they are shocked to discover that they’ve become enmeshed in a secretive terrorist plot. But as tensions escalate, the bride begins to wonder if her husband has told her everything he knows.
Ari and Oona go to the same school. Lolita-like Ari, is blonde, pouting and lives in a world of bright colours, frustrated by her mother still treating her as a child, while arty Oona dresses in black and is treated as an adult by her artist father. When Oona’s father commits suicide after his wife has an affair with his brother Lukas, Oona starts to self-harm, but finds and unlikely friendship with Ari. Ari’s enthusiasm for exerting her sexuality rebounds when she starts an affair with Oona’s uncle, who has recently moved in with Oona’s mother.
Tony Manero is a Brooklyn paint-store clerk who’d give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he’s a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony’s class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.
David Samuels is from an intellectual Jewish family from the posh Amsterdam Old South, where he is often mistaken as Moroccan because of his dark hair. David is a remarkable man on a mission: to find a ghetto fabulous queen with great tits and thick buttocks. His parents and friends declare him mad, but David continues unabated. His search leads him to the Bijlmer, where, after some wild adventures he is left disappointed. Will David ever find his ideal woman – a large, dark sex goddess with booty and brains?