Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
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Soul-touching and moving, TWO WAYS HOME compassionately follows Kathy (Tanna Frederick), a woman newly diagnosed with bipolar disorder who is released from prison on good behavior and returns to her country home in Iowa to reconnect with her estranged 12-year-old daughter (Rylie Behr) and her cantankerous elderly grandfather (Tom Bower). Her return home is turbulent and a rough, unwelcome transition in which Kathy must come to terms with her diagnosis and its implications on her identity, while also realizing that her family was happier when she was gone. Conflict with her family intensifies as she struggles to keep her head above water, putting her self-worth and well-being to the ultimate test.
A documentarian named Annie has roped her husband into a project that involves setting up cameras throughout their house. Complications arise when the cameras start showing that same couple in an alternate universe.
Pop superstar Adelaide Kay is so fed up with her controlling manager that she sneaks off the tour bus after their latest squabble. Though exhilarated to be free, she finds herself stranded in the freezing cold of a Pennsylvania winter, with no money and no plan. A local family, the Lapps, take her in. They know the true meaning of the season, even if they’re close to losing their dairy farm. No one in the family recognizes Adelaide except Dillon, the oldest son. He figures she’s the ticket to fast cash and plots to snap photos of Adelaide around the farm and sell them to the tabs. What he doesn’t plan, however, is their mutual attraction.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.
A tragic car accident in the middle of nowhere finds six stranded college students fighting for their lives after making a horrifying discovery in a remote farmhouse in director Edward Gorsuch’s rural frightener. With no place to run and no police station for miles, these doomed students are about to discover that down home hospitality is the last thing on the minds of the murderous family who stalks them through the woods.
Two friends seek spiritual salvation in India, away from their hedonistic and disconnected London lives, in advance of the impending collapse of the Cosmos.
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A team of con men fall for a Begum and her female confidante. Does their love fructify?
