“Muffin Top: A Love Story” is the story of Suzanne (Cathryn Michon) a Women’s Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and yet is made insecure by the constant parade of female perfection that is our airbrushed culture. She has been going through IVF treatments to get pregnant by her network executive husband (Diedrich Bader), but discovers on her birthday, that her husband has knocked up his younger, skinnier, co-worker (Haylie Duff) and wants a divorce. Happy Birthday! She goes on to find a more authentic version of who she really is, despite the delights of being suddenly single in Los Angeles, where low self-esteem for women is our number one export to the world.
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Reverend Brooks leads the town in a contest to stop smoking for a month, But some tobacco executives don’t want them to win, and try everything they can to make them smoke. If townspeople don’t go nuts, from wanting a cigarette, or kill each other from irritation and frustration, they will will a huge prize.
This was going to be the first year that Marshal Middle School was not going to have a dance team. All that changes when the new Biology teacher, Ms. Bartlett, agrees to be the coach. Now the girls need to prove that they are ready to compete and are able to win; not only to themselves, but to their parents and coach. Using the chant “si, se puede” or “yes, I can” the Dance team builds their confidence to perform.
Six weeks after the Gu’un aliens have invaded and completely conquered Earth, hapless Stewart becomes the Gu’uns’ official human liaison who ends up saddled with alien Greggs for a housemate. Stewart must help the Gu’uns deliver their message to the masses and win favour with humankind, while also aiding the human resistance and managing his enduring crush on Elodie.
The story of a young man who must confront his own fears about love as well as his relationships with family and friends.
Five horror icons ditch an unprofitable autograph signing convention to earn some extra cash haunting an RV park, but find themselves being haunted instead.
‘The Marathon’ is a feature film which contains humour in combination with impressive drama. The garage of four jass playing, smoking and beer drinking mechanics is threatened to be closed. The ‘genius’ idea to run the marathon of Rotterdam while being sponsored seems to be the only solution. The condition of the sponsor deal; making it to the finish line. However, training is difficult for the hedonists and it changes relationships, and even their future. Are all the efforts worth the fight when their seems to be more to it then just making it to the finish line…?
Detectives Jimmy and Paul, despite nine years as partners, can still sometimes seem like polar opposites – especially when Paul’s unpredictable antics get them suspended without pay. Already strapped for cash and trying to pay for his daughter’s wedding, Jimmy decides to sell a rare baseball card that’s worth tens of thousands. Unfortunately, when the collector’s shop is robbed and the card vanishes with the crook, Paul and Jimmy end up going rogue, tracking down the card and the drug ring behind its theft, all on their own time, and without any backup – except for each other.
American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.
Simon Evans debut DVD is a master class in aloof, patrician observational stand up. To the delight of a packed audience, the star of Live At The Apollo and Stand Up For The Week brings a little polish to the Theatre Royal Brighton. Evans looks back at his life and times, from his early days in London to his family life by the seaside. Along the way, his reflections are as ever as dry and delicious as a good Sancerre, or perhaps a really good radish.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
