A man and his brother on a mission of revenge become trapped in a harrowing occult experiment dating back to the Third Reich.
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Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret. They were born 200 years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequence.
Cecilia is a successful social media influencer living the dream, until she runs into her ex-childhood best friend and is invited away on her bachelorette weekend. Suddenly Sissy finds herself stuck in a remote cabin with her school bully…and a taste for revenge
Jake and Desmond (Paranormal Exterminators) team up with Alison, whose house is infested with undead creatures, to fight the horde and keep a demon from entering our dimension.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.
George is a high-strung professional photographer who is starting to unravel from the stress of his work with a Manhattan advertising agency. Needing some time away from the city, Jake, his wife Kim, and their son Miles head to upstate New York to take in the winter sights, though the drive up is hardly relaxing for any of them. George accidentally hits and severely injures a deer that ran onto the icy road; after George stops to inspect the damage, he’s confronted by an angry local named Otis who flies into a rage, telling George that he and his fellow hunters had been tracking the deer for some time. An argument breaks out, which leaves George feeling deeply shaken.
A virus is unleashed and a chilling massacre runs through the streets of Montevideo.
The mid-70’s: A timid young New Yorker leads an uneventful life until he is fatefully exposed to the pulsating rhythms of a brand-new genre of music….disco. Unable to control his murderous impulses that stem from a traumatic childhood experience, Duane Lewis transforms into a dangerous serial killer exiled to Montreal.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn’t seen in years. The disheveled and absent friend comes to him with one request: “I need you to come with me but, I can’t tell you where we’re going.” Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew’s nightmare asks how far you would go to help a friend.
