The end of one journey only marks the beginning of another as Detective Loomis returns to uncover the truth behind the Legend of Pitchfork.

New Mexico, present day. Brian and Lukas are off to desert to join the kegger party and to celebrate Lukas’s victory in a motocross competition. His winning price includes to meet THE DEATHINATOR, the biggest action star in the world and personal idol and hero of the boys.The party gets started underneath the hot desert sun, but Brian isn’t in the mood for a party. He wonders off in the rocky hills, but is soon joined by Lukas, his best and only friend. They discover something strange in the desert which leads them into a secret military laboratory where they make a new and disturbing discovery and the truth what the government has been up to in the desert is revealed. The secret experiments on ants and spiders mixed with DNA found from crashed meteorite in the 1951 has given birth to a mutated GIANT ANTS which have overrun the facility. It’s up to Brian and Lukas to become the heroes they always wanted to be and save the world from alien invasion!

Kenny and Giselle are set to marry on a beach in Puerto Rico. Giselle disappears on the day of the ceremony, setting off a wild chain of events that unearths secrets, lies and betrayal, and threatens to destroy the fairy-tale love story.

My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

A son sets out to look for the man responsible for his father’s disappearance, which is connected to a stolen diamond. Eventually, he steals the villain’s diamond and also runs away with his sister.

At eleven years old, Billie is well on her way to following in her mother’s footsteps, who explored space as an astronaut.

A young woman with a severely troubled past who signs up for an extreme haunt called Perdition. She believes that putting herself through Perdition’s nightmarish trials will help her exorcise her internal traumas, but has no way of knowing just how shocking her ordeal will be-or what dark secrets buried in her psyche will emerge. From Director: Anthony DiBlasi “The Last Shift & Dread” And Producer: “Midnight Meat Train”

In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child’s birth may help scientists save the future of humankind.

When Joy Pride, a groovy 70s burn-out on the caboose of the flower power movement learns she has weeks to live, her estranged children come together to do right by a mother who always did them wrong. It’s based on the premise that no matter who dies, we always find a way to make it all about us.

Three longtime friends set off on a boat trip with their romantic partners, but inclement weather, jealousy and confessions, will put to test their friendships.

Alex and Noémie would like to have a child. But their plans are turned upside down when Alex’s mother, Suzanne, has contracted “semantic dementia”, a fatal neurodegenerative disease that affects her behavior.