True story of an innocent man mistaken for a criminal.
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Sophie Dorothea is a young woman forced into a loveless marriage with Prince George Louis of Hanover. George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
To build up attendance at their games, the management of a struggling minor-league hockey team signs up the Hanson Brothers, three hard-charging players whose job is to demolish the opposition.
Odile suspects her husband, Jean, is cheating. Thus she decides to give him a taste of his own medicine. Fate gets her in touch with an actor, Daniel, who she will use for her revenge. The actor, living with a former serviceman, Albert, will make love with her. But there will be unexpected consequences: Odile and Daniel will be bound forever by an irrepressible love.
A pregnant vegan struggles with her newfound craving for meat.
Adapted freely from the classic novella ‘The Mysterious Stranger’ by Mark Twain; Day of the Stranger revives the tradition of the acid western of the 1970’s. Caine Farrowood is a bounty hunter who works under the control of ruthless kingpin Loomweather. One day a bounty retrieval goes awry and Caine is left for dead. Just when he thinks his life is over he mysteriously awakens back home to the comforts of his wife Christina. Baffled and confused by how he got home Caine insists on finding answers, but before long he is enlisted in the retrieval of another bounty. This one is huge and may cost Caine not his life, but his sanity when he finds himself pitted against somebody who may very well be the fallen angel himself.
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Two worlds collide when a young Amish girl discovers she was adopted by a wealthy family. As she seeks her birth mother, overcomes the obstacles of a lost fiance, and a crafty gold-digger who seeks the fortune of her birth mother.
Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will’s hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.
Caius Martius, aka Coriolanus, is an arrogant and fearsome general who has built a career on protecting Rome from its enemies. Pushed by his ambitious mother to seek the position of consul, Coriolanus is at odds with the masses and unpopular with certain colleagues. When a riot results in his expulsion from Rome, Coriolanus seeks out his sworn enemy, Tullus Aufidius. Together, the pair vow to destroy the great city.
Anna, an agency worker, takes her dog for a morning walk before doing her shopping. Searching through the discounted items, Anna wanders through the supermarket trying to find the most affordable necessities. As her groceries edge towards the checkout, her agency calls; she has lost her shift. What will she do? The Shift aims to capture the vulnerable condition of a temporary worker and to reveal the immediate consequences of the dangerously short and ever-present distance separating employment and poverty, security and tumult.