Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river–crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace–leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.
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Cole Armin comes to Albuquerque to work for his uncle, John Armin, a despotic and hard-hearted czar who operates an ore-hauling freight line, and whose goal is to eliminate a competing line run by Ted Wallace and his sister Celia. Cole tires of his uncle’s heavy-handed tactics and switches over to the Wallace side. Lety Tyler, an agent hired by the uncle, also switches over by warning Cole and Ted of a trap set for them by the uncle and his henchman.
Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.
A man saves a woman who had been kidnapped by Comanches, then struggles to get both of them home alive.
For years, Ollie has illicitly helped the struggling residents of her North Dakota oil boomtown access Canadian health care and medication. When the authorities catch on, she plans to abandon her crusade, only to be dragged in even deeper after a desperate plea for help from her sister.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
Marty is a 19 year old pioneer woman, recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Clark Davis, a widower, offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
Not a Rowdy Yates in sight in this western set in a stop over for the California to St Louis mail stagecoach run. The two staff are warned that four dangerous outlaws are in the area, and together with a female stage passenger and her baby they wait patiently for the word to go round that these men have been caught. Can you guess where the outlaws decide to hide out while they plan a large gold robbery? What follows is a film that concentrates on small details (like attempts to slip a warning note to a passing stage, or to reach a hidden gun that the bad guys don’t know about) as the captives try anything to get away from the outlaws.
J.D. Cahill is the toughest U.S. Marshal they’ve got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy’s want to get his attention they decide to rob a bank. They end up getting more than they bargained for.
The murder of her father sends a teenage tomboy, Mattie Ross (Kim Darby), on a mission of “justice”, which involves avenging her father’s death. She recruits a tough old marshal, “Rooster” Cogburn (John Wayne), because he has “grit”, and a reputation of getting the job done. The two are joined by a Texas Ranger, La Boeuf (Glen Campbell), who is looking for the same man (Jeff Corey) for a separate murder in Texas. Their odyssey takes them from Fort Smith, Arkansas, deep into the Indian Territory (present day Oklahoma) to find their man.
Three unemployed actors accept an invitation to a Mexican village to replay their bandit fighter roles, unaware that it is the real thing.
