Two veteran private eyes trigger a criminal reign of terror with their search for a missing girl.
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An American neurologist (Tamela D’Amico) uproots her life to study music therapy in India and ends up helping people with disabilities by bringing them together through music.
It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
A lonely young boy feels different from everyone else. Desperate for a friend, he seeks solace and refuge in his ever-present cell phone and tablet. When a mysterious creature uses the boy’s devices against him to break into our world, his parents must fight to save their son from the monster beyond the screen.
Manhattanite Catherine O’Mara (Heche) bonds with a young man who has run away from his father. When the father returns to New York a year later to sell his Christmas trees, he and Catherine cross paths.
The tragic story of Vincent van Gogh broadened by focusing as well on his brother Theodore, who helped support Vincent. Based on the letters written between the two.
After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don’t know the real reason they’re visiting — and the catch is, neither does Rudi…
Sophomore year has been a nightmare for Jessica Burns. Relentlessly harassed by her former friend Avery Keller, Jessica doesn’t know what she did to deserve the abuse from one of South Brookdale High’s most popular and beautiful students. But when a shocking event changes both of their lives, a documentary film crew, a hidden digital camera, and the attention of a reeling community begin to reveal the powerful truth about A Girl Like Her.
When a team of Shaolin-trained kung fu actors is about to get their break in Hollywood, a mysterious and sadistic Director forces them to run a gauntlet through Los Angeles. The Director films their every move as they prove their prowess by provoking a rogues’ gallery of underworld thugs and martial artists.
The final night’s work approaches for the staff of an insane asylum. A minimal crew of security and researchers remain to ensure the patients behave as expected before their transfers to a maximum security prison. Struggling with memories of abandonment, Dr. Helen Kingford finds herself on the brink of quitting her job as a psychologist. Following his forced retirement, the hospital’s head of security decides on a destabilizing course of action leading to chaos and destruction within the asylum. In the confusion, all of the dangerous patients escape their padded cells. Confused, Dr. Kingford awakens finding herself tied up in the hospital morgue. Not knowing who to trust, she finds herself running from everyone in an attempt to survive.
Nina is an aspiring actress from a small, rural town. Hired to give some authenticity to a reality show tailing Bigfoot near her hometown, Nina is excited–as any actor would be–to work on a larger stage. But the forest has secrets of its own, pushing Nina and her crew to confront larger realities in this haunting and ruminative feature.