The sequel to Tales from the Crypt. Five strangers trapped in a basement vault converse about their recurring nightmares. Their stories include vampires, bodily dismemberment, east Indian mysticism, an insurance scam, and an artist who kills by painting his victims’ deaths.
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With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family
While on his way to see his sick father, a man takes shelter with an elderly man and his young wife but soon discovers their horrible secret.
Mara, an ancient pagan spirit, hunts a group of teenagers taking their body parts to be reborn. A disillusioned and desperate investigator has to face his deepest fears to save the teenagers.
When Paul, an unemployed writer, decides to rent and live in a house that’s rumored to be haunted, he puts his life and his relationships in grave danger as he obsessively attempts to get the story that will finally make his career.
Introverted and peculiar, Mara spends her days fabricating props for movies. But her reclusive persona conceals an internal wrath. Terrified of being alone, Mara refuses to let her lovers leave, sadistically murdering them and keeping their corpses as living dolls. When she’s hired by Kat, a fledgling producer, the two instantly hit it off. As their relationship grows more intense, Mara begins to lose her already fragile grip on reality. When her dolls begin demanding all of her attention, and Kat threatens to break her heart, Mara spirals into psychosis, leaving her no choice but to kill again.
Cocky young attorney Michael Gray finds himself framed for murder when an inmate he is defending violently kills himself during their interview at South River State Penitentiary. Now locked in the same nightmarish Cell 213 where his client died, he soon realizes that unnatural forces are behind a string of inmate suicides, making matters of guilt and innocence not as cut and dry as they seem.
Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus’s estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby’s Nanny and an attorney, enter the house they find themselves trapped inside an evil machine “designed by the devil and powered by the dead” to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the holiday. Picking off residents one by one, what begins as random revenge killings are soon revealed to be part of a larger, sinister holiday plan.
Monsters are real, they came from outer space and they are here to destroy the world – unless we can stop them.
Exhibit A tells the timely story of a normal family disintegrating under financial pressure. All is not as it seems as the King family go about their day-to-day lives oblivious of the horror to come. Dad Andy (Bradley Cole) is nursing a secret that ultimately leads to terrible consequences for them all. We witness these chilling events unfold through daughter Judith’s video camera, which subsequently becomes Exhibit A.
