Judaai (English: Separation) is a 1997 Indian Bollywood film starring Anil Kapoor, Urmila Matondkar and Sridevi who made her last appearance in this film and left the industry. This is the remake of 1994 Telugu film Subha Lagnam, which was in turn remade from the Kannada movie Ajagajantara (1991) starring Kashinath.

Set to a new wave ’80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together.

In the final months of World War II, 14-year-old Seita and his sister Setsuko are orphaned when their mother is killed during an air raid in Kobe, Japan. After a falling out with their aunt, they move into an abandoned bomb shelter. With no surviving relatives and their emergency rations depleted, Seita and Setsuko struggle to survive.

A comedian finds new meaning in his life when his best friend asks him to be her sperm donor, and he meets a girl who connects with the cosmos.

The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK’s most dangerous prisons. Based on Thompson’s book of the same name, the project stars James D’Arcy (Master & Commander), Noel Clarke (Kidulthood), Frank Harper (The Football Factory), Jamie Foreman (Layer Cake), Andrew Shim (This Is England) and Kate Magowan (Stardust). The story revolves around former soldier Sam Norwood who takes a job as a prison officer when he returns from Iraq and becomes exposed to the underworld of prison culture – including corrupt guards and drug trafficking.

Mr. Nomura is an eerily handsome, sharply dressed, sociopathic serial killer who preys on the women of Tokyo. In Jakarta, a world-weary journalist named Bayu finds himself unexpectedly falling into vigilantism after brutally killing two sadistic robbers. When each posts videos of their violent sprees online, the pair find one another on the Internet and begin a toxic and competitive duel. While Bayu clings to the hope that he can resume a normal life, Nomura continues to spill blood without remorse. Killing, advises Nomura, is something everyone ought to consider.

A retired cyber game player recruits a team of rookies to play in the national league.

In 1991, the Government of India opened up the economy and unleashed the forces of globalization, forever changing the landscape of the country. A dozen years later, India was celebrating its emergence as a global economic super power. Set in 2004, in the midst of a nationwide ‘India Shining’ campaign, the film Mantra tells the intimate story of a family and its travails, and through it, the story of the New India. The protagonist of the film is Kapil Kapoor, the founder of an iconic Indian snack brand in the ‘License Raj’ old India. But today – in 2004 – he is fighting a losing battle against a multinational that has taken over the market. But it is not just his company that Kapil is desperately trying to save; it is also his own wife and children who are battling their own crises.

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A gang goes to rob a bank only to find that there’s already a criminal mastermind holding it for ransom, but his identities and motives behind the heist remains mysterious. As they plan to collect the bounty and disappear without a trace, their crimes and their past slowly catches up with them.

Anthropology student Daria, who’s helping a property developer build a village in the Los Angeles desert, and dropout Mark, who’s wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.

The wealthy members of an exclusive backwoods retreat face an existential threat from both a disgruntled former manager as well as a subversive, anarchistic current member.