By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.

In postwar Japan, a new terror rises. Will the devastated people be able to survive… let alone fight back?

An American backpacker gets involved with a ring of drug smugglers as their driver, and winds up on the run from his employers across Munich’s autobahns.

Professor Charles Bando is estranged from his family, who blame him for the kidnapping of his grandson. God works in miraculous ways, including using a piece of glass from the Holy Land, to bring healing and reconciliation.

FIVE DIRECTORS tell FIVE STORIES Meet their “characters” at a local bar – where they find love, misfortune and redemption.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Foxy Lady Cocoa is out to take down her mobster boyfriend.

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

Kate Parks has spent the past year on tour promoting her book, an in-depth look at the attempted cover up of her husband’s death in a plane crash. Now all she wants is to return home to her daughter, 15-year-old Samantha. But when a powerful solar flare strikes her flight home, killing the pilot, knocking out the co-pilot and frying all the electronic systems on the plane, it looks like she may not get there. As panic sets in among the passengers, Kate works with flight attendant Jake to manage the growing chaos and tension on the plane as she tries to keep 30,000 tons of steel hurtling through the air at 500 miles per hour. Flying blind, Kate tries to find a way to communicate with air traffic control – one way or another, this plane is coming down. With the passengers’ lives on the line, Kate will have to find a way to land safely… or never see her daughter again.

An 8-year-old girl with an ability to sense danger gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a Mega Church in Lagos.

A pilot must safely land a 747 on which deadly nerve gas has been planted.

A cop investigates the murder of a beautiful teen girl left naked by a lake.