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An ex special forces operative stuck in a dead-end desk job reluctantly takes on a gig to provide private security for a washed-up journalist as she interviews a ruthless—but impeccably dressed—dictator. When a military coup breaks out just as she’s about to get the scoop of a lifetime, the unlikely trio must figure out how to survive the jungle, the assassins and each other in order to make it out alive.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.
When the jungle is threatened by a giant monster, a young Koati rises up to lead the animals in an epic fight to save their home. As the brave Koati trains to save his family and loved ones, all the animals band together to face the Monster in this fun-filled adventure.
Krishna (Nani) and Mahalakshmi (Mehreen) have been in love since childhood. But he is a coward and she is the sister of a local factionist.
Upon taking her vows to become a nun, Sister Sarah is abused, brainwashed and drugged into submission by the corrupt clergy. On the verge of death from a lethal dose of drugs, Sister Sarah receives a message from God telling her to take vengeance on all those who did her wrong. Armed with God’s will and an arsenal of big guns, she dispenses Judgment Day on her former tormentors. When the church hires the merciless motorcycle gang the “Los Muertos” to track down and kill her they soon realize that this sister is one bad mother.
Lane Speer is a 16 year old girl who spends her family vacations camping in the mountains. She takes the memories for granted until she loses her father to an unexpected bout with cancer. Only a year later, as Lane is still reeling from her father’s death, he mother remarries a guy that Lane hardly knows. Worst of all, he is a Mormon. To top it off, while they are on their honeymoon, they arrange to have her stay with her Mormon step-aunt who takes her away to a bible-themed girls camp with a bunch of young Mormon girls. Confronted with memories of camping with her family, she tries to find peace with her new surroundings and deal with the death of her father.
Five friends Freccia, Bruno, Tito, Jena and Boris are very keen on music but they live in a little town in northern Italy and spend most of their days at the local bar. They decide to set up an independent radio which soon becomes the voice of a generation. When Freccia dies from an overdose the radio takes his name.
Caroline, a young waitress who seems to have bad taste in men, is on her way home one night when thugs attempt to rape her. Adam, the mysterious busboy who works at the same diner, helps fight off the assailants, and she begins a relationship with him — but not all their fellow Minnesotans are happy for them. Meanwhile, the couple face their own difficulties when Caroline finds about Adam’s past, including his unique health condition.
A disillusioned London chef visits Nigeria and struggles with her matchmaking mother and restoring the family’s rundown hotel. She’s heartbroken when she discovers the man she loves is buying it.
East is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couples entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.
