While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment that overlooks the Thames. There she meet the lesbian hyper-horny real estate agent Moira.
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Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road.
Jamie Grover (Kimberly J. Brown) is an only child who has always wanted out from the constant attention her parents give her. Her wish is finally granted when she finds out her mother is pregnant, but when she turns out to have quints, Jamie’s life changes in ways she had never imagined. She discovers she might not want the same things her parents want for her, but nonetheless, her parents focus all of their attention on her baby brothers and sisters. But when one of her brothers gets terribly ill (from quints) she discovers that she really doesn’t mind the babies, and that she does have the courage to let her parents know she has dreams of her own.
Gary Hart, former Senator of Colorado, becomes the front-runner for the Democratic presidential nomination in 1987. Hart’s intelligence, charisma and idealism makes him popular with young voters, leaving him with a seemingly clear path to the White House. All that comes crashing down when allegations of an extramarital affair surface in the media, forcing the candidate to address a scandal that threatens to derail his campaign and personal life.
Cynical British journalist Fowler (Michael Redgrave) falls in love with a young Vietnamese woman, but is dismayed when a naïve U.S. official (Audie Murphy) also begins vying for the girl’s attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy. Director Joseph L. Mankiewicz’s drama paints a rosier picture of U.S. involvement in French Indochina than Graham Greene’s provocative 1955 novel.
Nancy Stokes doesn’t know good sex. Whatever it may be, Nancy, a retired schoolteacher, is pretty sure she has never had it, but she is determined to finally do something about that. She even has a plan: It involves an anonymous hotel room, and a young sex worker who calls himself Leo Grande.
Da-eun lives a happy life with her single father, a man who sacrificed everything in his life for her. She loved her father very dearly. However, their relationship is about to take an unexpected turn. Da-eun becomes suspicious that her father might be a monstrous kidnapper. Even though she wants to believe in his innocence, she finds herself searching for evidence to the contrary. What is her father’s true identity? And how will she deal with the burden of discovery if her suspicions are confirmed at the end of her final pursuit of the truth?
A lawyer defends her father accused of war crimes, but there is more to the case than she suspects.
FROM OTHER WORLDS is a sci-fi comedy about a depressed Brooklyn housewife who sleepwalks through her life until she encounters an alien force in her backyard. With the help of a fellow contactee, an African immigrant, she is determined to solve the mystery of her otherworldly experiences. Along the way, she finds romance, saves the planet and finds new meaning in her life.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Two estranged siblings return home to the sprawling ranch they once knew and loved in order to care for their ailing father.
