The Messenger is the story of Jack’s last melt down: a story of frustration and guilt, love and betrayal, family and blame. Unwillingly becoming embroiled in the unfinished business of Mark, a journalist brutally murdered in the local park and his television presenter wife, Sarah, to whom he’s desperate to say one last goodbye, Jack finds himself getting closer to Sarah, obsessed with passing on Mark’s message. Discovering hidden secrets and lies finally pushes the fragile Jack over the edge but there is hope when his estranged sister, Emma, gets in touch. Jack starts to remember the past they shared together and as the memories come flooding back, he confronts the truth about the death of his father.

On Australia’s most controversial national holiday, the lives of three Australians from diverse cultural backgrounds will collide, illuminating contemporary issues of racial tension and national identity that simmer beneath the surface of modern Australia.

Miles Montego has it all – cars, boats, good looks, mansion, money, women, but more importantly, he has a past.

When ISIS took their homes, families and city, one group of men fought to take it all back. Based on true events, this is the story of the Nineveh SWAT team, a renegade police unit who waged a guerrilla operation against ISIS in a desperate struggle to save their home city of Mosul.

An idealist young dancer named Zoe (Romina D’Ugo) tackles the difficult issue of resurrecting disco dancing in today’s music business. She meets hostility beyond resistance on every dance floor where she spins and twirls. Fortunately, she has at least one ally, a nightclub owner and visionary named Michael (David Guintoli) who shares her zeal for the long-ago dance craze. With money to burn, Michael arranges for Zoe to test market bringing back disco, even with rival choreographers like Malika (Brooklyn Sudano). Soon dance takes a two-step in the wrong direction when hard-hearted Malika and Michael start vying to become Zoe’s dance partner.

Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.

At long last, Madea returns to the big screen in TYLER PERRY’S MADEA GOES TO JAIL. This time America’s favorite irreverent, pistol-packin’ grandmomma is raising hell behind bars and lobbying for her freedom…Hallelujer!

REPARATION is a powerful psychological thriller that swirls like a funnel cloud around Bob Stevens — a small-town farmer with a three-year hole in his memory. When a mysterious stranger, Jerome, shows up claiming to have been his best friend in the Air Force Police, Bob’s peaceful existence begins to unravel from the outside in. Bob’s entire family is caught in the storm — but none more than Bob’s eight year-old daughter, Charlotte, who discovers that she might hold the key to conjuring Bob’s forgotten past. As Charlotte comes to learn, “every time something happens that knocks us out of balance, we try doing something that will knock us back in…” That universal theme of balance is the soul of REPARATION.

After participating in a brawl that left his father dead and his rival nearly dead, a young man decides to stay away from violence and leaves his village with hopes of ending the ages-old feud.

In Philadelphia, a small-time bookie who stole mob money is in hiding and he begs a childhood friend to help him evade the hit-man who’s on his trail.

Bennett and Marissa are the sole survivors of the final suicidal act of their religious cult. Confused, relieved, angry and unfulfilled, the two followers each question one another’s motives for joining, living, and surviving under the control of their Leader. Faced with their own doubts, Bennett and Marissa must confront their feelings and fears while deciding what life to live after near-death.

Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.