Three naïve guys, in their 20s, drive from Illinois to LA. A sleazy real-estate agent gives them a great deal on a house in the Hollywood Hills. The night they arrive, a solitary Mexican, who speaks only Spanish, tries to warn them that the place is possessed by Satan. They don’t understand him, move in, and plan a party after they meet Lucy, their gorgeous neighbor from down the hill. An old friend of theirs, studying to be a priest, joins them. In the basement is a portal to Hell, so at the party, guests meet their end in various ways. Lucy and her friends may not be who the lads think. Is there any hope for these innocents? Maybe their neutered dog can help.

Louisa May Alcott’s autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth are at home with their mother – a very outspoken women for her time. The story is of how the sisters grow up, find love and find their place in the world.

Frank Mollard, divorced but still attached, can’t move on and also can’t sell a house in a property boom, much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary there – apart from the fact that she died the year before.

Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he’s determined to snatch romance from ingratitude.

Based somewhat more authentically on the Grimm Brothers’ story of a young woman who is unliked by her stepmother, the film includes the talking mirror, a poisoned apple, and some ruffian gold (not diamond) miners (and they aren’t dwarfs or cute). It takes place at the time of the Crusades, and depicts the attitudes of the wealthy and the peasant classes toward one another.

All the Time in the World is a though provoking and personal documentary that offers a sociological commentary on what today’s life has evolved into for most of us and what happens when a courageous family chooses a seemingly simpler life.

After building his dream house, architect Newton Davis proposes marriage to his girlfriend, only to be summarily rejected. He seeks solace in a one-night stand with a waitress, never imagining that a woman he slept with once would end up posing as his wife. Gwen’s ruse is so effective that by the time Newton learns of his “marriage,” the entire town feels like they know him.

With the help of his loyal protector Butler, 12-year-old genius Artemis Fowl, descendant of a long line of criminal masterminds, seeks to find his mysteriously disappeared father, and in doing so, uncovers an ancient, underground civilization—the amazingly advanced world of fairies. Deducing that his father’s disappearance is somehow connected to the secretive, reclusive fairy world, cunning Artemis concocts a dangerous plan—so dangerous that he ultimately finds himself in a perilous war of wits with the all-powerful fairies.

In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.

Raised in a broken home, Cody (Tim Torok) is a troubled man with a history of addictions and crime. While Cody serves time in the county jail, his mother, Pam (Penny Carlisi), begins to question her faith as she suffers constant grief from watching Cody’s poor choices. Then, with the support of her prayer group, she realizes that only God can heal her pain, restore her faith, and save her son.

From his dad’s unusual deathbed confession to watching his mom get high, Tom Segura tells blisteringly candid stories about marriage, mortality and more.

During a professional conference in Prague, two interpreters in the Hungarian booth hilariously vie for the attention of one listener.