Workaholic Thomas Johnson dies in an auto accident and comes back to life as a dog. Remembering some of who he was, he returns to his wife and son to protect them from the man who caused his accident. But, as time goes by, he remembers more of his life, and realizes he wasn’t such a good husband and father.
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As Garibaldi’s troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family’s accustomed level of comfort and political clout.
Two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood.
Beginning with “The 400 Blows,” director Francois Truffaut made a series of films about the impetuous Antoine Doinel, in which this is the last. Antoine is now 30, working as a proofreader and getting divorced from his his wife. It being the first “no-fault” divorce in France, a media circus erupts, dredging up Antoine’s past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
Colin, an ambitious young American businessman, has a deal with a potential client, a rich Arab sheikh who is a passionate pigeon fancier. The sheikh has tried several times to buy a champion pigeon, but the owner continues to stubbornly refuse his offer. In an attempt to gain the trust of the Sheikh, Colin offers him a deal: if he manages to convince the owner to sell the champion pigeon, the sheikh will agree to do business with Colin’s company. But when Colin meets Jos, the grumpy owner of the pigeon, and Isabella, his granddaughter, he realizes that this mission will not be as easy as he had hoped.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women. But as his best friend Krantz would say to him, “Why do you always ask questions you already know answers to?”. Leo believes firmly in what he invents from one day to the next. Images, impressions, stories fill his head. That’s just how he is: life, for Leo, is just a game. Behind this childlike attitude, hides the very essence of his own life’s quest.
Arthur is a grumpy pensioner who can’t understand why his wife Marion would want to embarrass herself singing silly songs with her unconventional local choir. But choir director Elizabeth sees something special in the reluctant Arthur and refuses to give up on him. As she coaxes him out of his shell, Arthur realizes that it is never too late to change.
Sophie Hagan, a retired nurse, turned her home into a Transitions Shelter. The lives of a terminally ill woman, an alcoholic magician, a PTSD veteran, a young drug addict and a grieving mother are explored in the ‘Cottonwood’ residence.
Every child comes into the world full of promise, and none more so than Chappie: he is gifted, special, a prodigy. Like any child, Chappie will come under the influence of his surroundings—some good, some bad—and he will rely on his heart and soul to find his way in the world and become his own man. But there’s one thing that makes Chappie different from any one else: he is a robot.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.
Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola’s run.
Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert Moreau is one of the artists whose sculptures are on display in the gallery. His wife, Josée, is intrigued by the stern Stanislas, who devotes his free time to photography in an apartment that highlights his sophisticated artistic tastes. But besides enlarged pictures of calligraphic samples, Stanislas is amassing a collection of photographs that reveal a disturbed character. So why would Josée endanger her mature relationship with Gilbert for the morbid observation of Stanislas’s hidden personality?
