Nearly 100 years after its creation, the power of the U.S. Federal Reserve has never been greater. Markets and governments around the world hold their breath in anticipation of the Fed Chairman’s every word. Yet the average person knows very little about the most powerful – and least understood – financial institution on earth. Narrated by Liev Schreiber, Money For Nothing is the first film to take viewers inside the Fed and reveal the impact of Fed policies – past, present, and future – on our lives. Join current and former Fed officials as they debate the critics, and each other, about the decisions that helped lead the global financial system to the brink of collapse in 2008. And why we might be headed there again.
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Hating Obama takes a thought provoking look at the hatred received by President Barack Obama while asking the central question: Is President Obama hated for his policies or because he’s black?
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Set in Bertolucci’s ancestral region of Emilia, the film chronicles the lives of two men during the political turmoils that took place in Italy in the first half on the 20th century.
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This documentary delves into Joran van der Sloot’s lifelong pattern of violence and pathological lying through rare interviews and new insights years after he brutally murdered American Natalee Holloway and Peruvian Stephany Flores.
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This film speaks of archaic peoples, their customs and mores, in an attempt to make the last snapshots of their traditional lifestyles before they are gone for good.
Featuring brand new interviews with producer Douglas Wick, screenwriter Wesley Strick, and special effects artist Rick Baker, THE BEAST INSIDE: CREATING »WOLF« examines the making of Mike Nichols’ WOLF (1994) in all its stages from original idea to final appearance.
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Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.