Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Parents, educators, students and college admissions professionals all intimately understand the financial, emotional and intellectual burden of the SAT/ACT—tests that are not only an integral part of the college admissions process for most American students, but also can be a rite of passage for teenagers in the United States. Even as adults, few of us forget our score, or how we felt about what it took to earn it. The Test & the Art of Thinking traces the history and evolution of the SAT/ACT as a major player on the pathway to higher education in America, and it documents its current power in our culture. In so doing, it strives to support individuals who are embarking on the road to college, by examining what the SAT/ACT measures and means, and asking a range of educational leaders, admissions professionals and stakeholders in the test—from tutors to parents to test designers—to grapple with the test’s use, ramifications and future.

What is the meaning of life? What is love, humor, fear and death? Is it all just a dream? Who are we? Will we wake up, will we remember? Do beings from other dimensions help us? Can we finally understand the purpose of the Game? Who is the Creator? Where is the Kingdom of God? The new feature movie called The Meaning and Mystery of Life is looking for answers to these questions and many others as well. Question for Petr Vachler, the author of the story and screenplay, and the movie director: Why did you decide to make such an author-pronounced movie? “As a small kid I used to hide behind the house and cry because there was an end to everything, and there would be NOTHING afterwards. But what was that big NOTHING? This question accompanied me all my life, probably just like it has to the majority of us all.

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhorse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

David Blaine travels around America to perform tricks in the UK premiere of his show What Is Magic? He visits New Orleans where he carries out a money trick in front of locals, producing hundreds of dollars at their fingertips before stopping off at New York to conduct magic in front of Orlando Bloom. But the jewel in David’s crown is his shot at the infamous The Bullet Catch; a trick which sees a 22 calibre bullet being fired at point blank range directly at the magician who then has to catch the bullet in a small metal cup in his mouth. The stunt is filmed using Phantom Camera technology which shoots 10,000 frames per second so that not a fraction of the action is missed.

Documentary film about former Estonian tennis player Anett Kontaveit.

In Minnesota’s unforgiving North Country, hockey is life. Over the course of a season, two rival high school programs—one an emergent dynasty, the other steeped in a proud legacy—strive for a coveted state championship. With the hopes of their towns behind them, boys on both sides cope with the pressures of adolescence along with the added burden of bringing glory to one of the country’s most hockey-crazed communities.

Rude Boy is a semi-documentary, part character study, part ‘rockumentary’, featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

In his need for self-identity, a filmmaker confronts his mother, a former political activist in the Philippines, about his feelings of abandonment as a child.

From the makers of Console Wars comes the origin story of the GameStop stock market phenomenon, featuring exclusive access to the original players who lit the fuse on a historic amateur investor uprising. Spotlighting the human side of a sensational business drama, this documentary is a David vs Goliath tale about ordinary people waking up to the power they have in numbers.

A Vice documentary look into Vince McMahon’s role in the world of wrestling.

In late eighties, in Ceausescu’s Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.