During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?

Four former harlots try to leave the wild west (Colorado, to be exact) and head north to make a better life for themselves. Unfortunately someone from Cody’s past won’t let it happen that easily.

A recently married scholar goes on a quest for knowledge of other people’s wives, based on his philosophical differences with the Sack Monk. He encounters the Flying Thief, who agrees to help him find women, but only if he attains a penis as big as a horse’s. The scholar has a surgeon attach said unit, and he’s off and running on his mission, only to find that there are obstacles to his new lifestyle, such as jealous husbands and treacherous females.

Cursed since childhood, dentist Charlie Kagan cannot find the right woman. Even worse, he learns that each of his ex-girlfriends finds true love with the man she meets after her relationship with him ends. Hearing of Charlie’s reputation as a good-luck charm, women from all over line up for a quick tryst. But when Charlie meets the woman of his dreams, he must find a way to break the curse or risk losing her to the next man she meets.

“Muffin Top: A Love Story” is the story of Suzanne (Cathryn Michon) a Women’s Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and yet is made insecure by the constant parade of female perfection that is our airbrushed culture. She has been going through IVF treatments to get pregnant by her network executive husband (Diedrich Bader), but discovers on her birthday, that her husband has knocked up his younger, skinnier, co-worker (Haylie Duff) and wants a divorce. Happy Birthday! She goes on to find a more authentic version of who she really is, despite the delights of being suddenly single in Los Angeles, where low self-esteem for women is our number one export to the world.

On the night of her 30th birthday, Lindsay Corwin, an unlucky environmentalist with a string of bad relationships, decides to make the ultimate wish: for all of her birthday wishes to come true. When her nearly three decades of wishes, including everything from losing weight to meeting Mr. Right, start magically coming true all at once, Lindsay is awestruck—until she realizes the life, and the man, she’s always wished for might not be the one she really wants.

When writer’s block derails the literary dreams of Olly Pickering, he has to move in with his friend Murray after losing all his money. Things start to look up when Olly’s college pal James asks him to be the best man at his wedding. Prior to the nuptials, Olly is drawn to a woman whom he thinks is the bride’s sister — only she turns out to be the bride, Sarah. Can Murray, who dislikes James, help get Sarah and Olly together?

In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.

They say the cobbler’s children go barefoot, but must the matchmaker’s children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don’t know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.

Jessica, a Jewish copy editor living and working in New York City, is plagued by failed blind dates with men, and decides to answer a newspaper’s personal advertisement. The advertisement has been placed by ‘lesbian-curious’ Helen Cooper, a thirtysomething art gallerist.

A notoriously shrewish TV drama writer and a Korean wave star who fight like cats and dogs every time they meet; a spinster flight attendant landlady and a nosy chef tenant who build a sense of camaraderie; a genius relationship-virgin composer who harbors a secret admiration for a scatterbrained producer. As they crash-land into each other’s lives, will there be love?

A sequel movie to The Diary (1999). The movie succeed to replicate the 30’s, between the two world war, between Paris and London. Anna (Lila Baumann) arranges Dr. Cristina Inger, a female physician for her paralyzed husband’s treatment and she joins the shows at nightclubs as a stripteaser and prostitute to pay her. Husband is cured but fell in love with Dr. Cristina.