An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.
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Joe, a programmer and obsessive self-quantifier, and Emily, a budding comedy performer, are happily married until they decide to use one another in their work. A dark comedy about love, technology, and what can’t be programmed.
A man on deathrow wants to taste “doenjang jjigae” (a spicy Korean bean paste stew) before he dies. Television producer Choi Yu-Jin (Ryoo Seung-Ryong) hears of the inmate and researches his story for an upcoming news report. Choi Yu-Jin then comes across a mysterious woman named Jang Hye-Jin (Lee Yo-Won) who makes doenjang jjigae that brings tears of joy to those who tastes her recipe. As Choi Yu-Jin delves further, he learns of Jang Hye-Jin’s heart breaking relationship with Kim Hyun-Soo (Lee Dong-Wook).
Based on the true story of acclaimed music icon “Dalida” born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine’s picture “Le Sixième Jour”, and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.
Once a known counterculture figure, June E. Leigh now lives in self-imposed exile in her South Bronx apartment during the incendiary ’77 Summer of Sam. When an unseen tormentor begins exploiting June’s weaknesses, her insular universe begins to unravel.
A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use him for deliveries worry about his mental well-being and his effectiveness at his job. Meanwhile someone is killing women in apparently drug-related incidents.
Three stories told simultaneous in ninety minutes of real time: a Republican Senator who’s a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.
Jussi Vares falls in love with a beautiful brunette – only to lose her in a horrible way. After dating Sole a few weeks, her body is found in a bird-watching tower. The investigations come to a standstill, until Vares promises to solve a mystery of messy denunciation letters. Before the letters reveal their secret, a lot of things happen. A gun-for-hire, Stahanov, gets an assignment. Sole’s brother finds his wife in the arms of a wrong man and goes on a rampage, accompanied by a black cat. In the end the clues lead to a familiar person and more death in unavoidable
A suburban family chooses seemingly sweet Peyton Flanders as their newborn’s nanny. Only much later does the infant’s mother, Claire Bartel, realize Peyton’s true intentions — to destroy Claire and replace her in the family. The nail-biting suspense builds quickly in this chilling psychological thriller about deception and bitter revenge.
Frantic to be free of Felix, her wealthy but drunken and violent drug-lord husband, Ana (Elena Anaya) tricks her fresh-from-prison sister, Aurora (Ariadna Gil), and two other ex-partners in crime into coming to her aid. Now that their crew is reassembled, the women begin planning a heist that will rid Ana of Felix and net them enough cash to be set for life.
Four erotic tales from in various historical eras. The first, ‘The Tide’, is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. ‘Therese Philosophe’ is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. ‘Erzsebet Bathory’ is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while ‘Lucrezia Borgia’ concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
