Former tennis pro Taylor reluctantly agrees to coach her friend and bad boy, Will, for a mixed doubles tournament, only to find there’s a lot more to him than she thought.

A man who was falsly accused for murder escapes the sheriffs and starts a new life in a town at the border of the States to Mexico. But he cannot settle in peace as his chasers are trying to find him.

Abby Collins’s quiet life as a wife and mother shows no trace of her past work as a military special-ops expert — until the day her husband is kidnapped. With no alternative, Abby must resort to her long-dormant lethal skills to save her spouse.

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.

The misadventures of four groups of guests at the Beverly Hills Hotel.

All is perfect for Donovan Strathmore, lifecoach to the rich and famous, until a mysterious figure emerges, threatening to reveal a hidden past. As he searches for clues, his life begins to unravel, culminating in an onslaught of public humiliation. Donovan is forced to reconcile secrets long buried, and confront the one person he’s spent his life running from.

L’Amore (‘Love’) is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau’s 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán’s 1904 novel Flor de santidad.

In post-Katrina New Orleans, a disgraced detective encounters the ghost of a murdered woman who wants to help him identify her killer.

In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale’s 1931 “Frankenstein” for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco’s victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.

Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.

The lives of three residents of Redlands, California — a middle-aged glamour photographer, his model and her musician boyfriend — intersect and ultimately collide in this claustrophobic adult drama.

To find Joseba, a dying friend, and see him reunite with his daughter Ely, two old friends, Jean Pierre and Tocho, embark with her on a road trip through the Sahara desert, from Spain to Mali.