A young man comes to possess a supernatural notebook, the Death Note, that grants him the power to kill any person simply by writing down their name on the pages. He then decides to use the notebook to kill criminals and change the world, but an enigmatic detective attempts to track him down and end his reign of terror.

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.

Based on the reportedly haunted location of Pendle Hill in Lancashire, England, a location which was at the heart of a series of notorious and bloody witch hunts in the year 1612.

After a senior coworker assaults a bright-eyed young woman, her dream job becomes a living nightmare as she tries to keep her career together while being tormented at work, at home, and in her dreams by a mysterious tree monster.

Gang leader Jeet Johar and his young, loyal, and often-brutal crew dress like peacocks, love attention, and openly compete with an old style Indo crime syndicate to take over the Vancouver drug and arms scene. Blood is spilled, hearts are broken, and family bonds shattered as the Beeba Boys do anything to be seen and to be feared in a white world.

In a tourist town, you never know who might visit but tourists are the life blood of the economy. Learning to live life again, a local woman left widowed by the mysterious murder of her husband, tries modeling for photographers with the encouragement of friends. Common suspicions arise about their motives. Its flattering and sometimes paid work, but who can she trust? Is it safe to be alone? She lives remotely with constant concern she is being watched. Local law enforcement is challenged to be supportive but not spend their time chasing sounds. The strong willed Mary is slow to warm up to dating, causing an impatient admirer to lash out but Mary isn’t one to surrender to a challenge.

Best friends Samantha and Kristina go their separate ways for the first time when Kristina gets into the hottest sorority on campus. But Kristina realizes this is just the beginning, and her life becomes a nightmare when Kristina is murdered and Samantha finds herself as a potential next target.

The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.

After public school student Roddy Berwick takes the blame for a friend’s transgression and is expelled, his life goes downhill.

There is nowhere to hide…nowhere to run…the Zombie Apocalypse has come, and our world now belongs to the dead! From Ireland, Canada, Australia, Europe and all over the U.S., the bone-chilling news reports tell the same gruesome tale – walking corpses terrorize and devour the living. Only a few desperate humans find the courage to stand and fight for their last chance at survival. But the hordes of undead keep coming, and there’s only one thing on the menu – us.

Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.

A young female scanner turns from a sweet young thing into a murderous, power-crazed villain after she takes an experimental drug developed by her father. Her brother, who is also a scanner, is the only one powerful enough to stop her.