When a compromising video of sixteen-year-old Deanna Lambert hits social media, her teenage life is changed forever. Overcoming bullies, hurtful school-yard taunts and the enduring rage and disappointment of her father, Deanna longs to escape a life defined by her past.
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Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.
The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life’s work.
Dives into the often ignored seedy underbelly of Maine and it follows Emma Maddox as she returns to her hometown years following the mysterious death of her brother, Mikey. As she reconnects with his best friend Tommy, the two rekindle their flame and Emma begins to uncover the web of lies the town has been keeping.
A boy, bruised by life, finds his salvation through the love of his dogs.
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world’s population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark’s School for Boys is in short supply. Its high walls can’t stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn’t helping him concentrate on staying alive.
A group of lifelong friends reunite to celebrate a special birthday, with Sydney’s iconic Palm Beach providing a stunning backdrop for the unfolding drama. The good times roll, with loads of laughter, lavish meals, flowing wine and fantastic music, but slowly tensions mount and deep secrets arise.