Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.

Peter and Michael, raised on the streets of Philadelphia, are the children of Irish mob members, forever linked by the crimes of their fathers. 30 years later, Michael now runs the criminal organization and lusts for more power, his dangerous antics frequently held in check by his cautious cousin Peter. Haunted by the death of his sister, whose passing destroyed both his parents, Peter is caught between the dreams of childhood and the realities of his life as an enforcer. His only reprieve is a local boxing gym, a sanctuary that is quickly threatened as Michael’s desire for control escalates.

During the Cold War, the Soviet Union captures U.S. pilot Francis Gary Powers after shooting down his U-2 spy plane. Sentenced to 10 years in prison, Powers’ only hope is New York lawyer James Donovan, recruited by a CIA operative to negotiate his release. Donovan boards a plane to Berlin, hoping to win the young man’s freedom through a prisoner exchange. If all goes well, the Russians would get Rudolf Abel, the convicted spy who Donovan defended in court.

Jennifer, a young, ambitious executive running promotions at a failing Boston mall comes up with a genius promotional gimmick to save her workplace and position herself for advancement: hold a “Hunky Santa” contest to replace the old Mall Santa. David, a local man trying to save his family’s pizzeria, ultimately wins the contest and sparks fly between him and Jennifer. However, complications ensue when it comes to light that the company Jennifer works for is the same one trying to run David’s family out of business.

Follows the relationship of 27-year-old journalist Mitchell Crawford and 21-year-old bicycle messenger Raheim Rivers, who meet at a gay bar in Greenwich Village during the summer of 1993.

Hailey is a conceited, professional woman and self-proclaimed serial dater with no interest in marriage. She believes no one man can possess all five of her most coveted qualities until she meets Christopher, a handsome businessman who has sworn off women. When Christopher shows no interest in Hailey she does everything she can to pursue him.

A successful but stressed mathematics professor goes to her father’s wedding and falls in love with her father’s bride’s son, a prematurely retired pro baseball player. She must choose between him and her current boyfriend, between Chicago and New York, and between research and administration.

On 26 September 1928, Karel Capek and President T.G. Masaryk meet in the gardens of Topolcianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Capek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively. “It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.

Suddenly alone during the late stages of her pregnancy, Sara receives an unexpected lifeline when Linda, her estranged older sister, arrives.

One of the greatest and bravest incident from the life of The Great Maratha King Chhatrapati Shivaji Maharaj where he defeated Afzalkhan with his brilliant tactics and courage.

An orphan grows up to become a gangster who finds love. However, he faces a critical situation where he risks losing everything.

In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster’s seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.