King Solomon’s Mines is a 2004 two-part TV miniseries, the fifth film adaptation of the 1885 novel by the same name by Henry Rider Haggard. Starring Patrick Swayze as Allan Quartermain and Alison Doody as Elizabeth Maitland, the film was produced by Hallmark Entertainment, and originally aired June 6, 2004 on Hallmark Channel. September 2004 it was released as a one movie dvd box.

Four months after the death of her husband, a woman on the brink of motherhood is tormented in her home by a strange woman who wants her unborn baby.

A field surgeon who suffers from PTSD after combat in the Middle East, and creates a living human out of body parts in his Gowanus, Brooklyn lab.

The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.

In town for a job interview, a young woman arrives at her Airbnb late at night only to find that it has been mistakenly double-booked and a strange man is already staying there. Against her better judgement, she decides to stay the night anyway, but soon discovers that there is much more to be afraid of in the house than the other guest.

Equal parts Goodfellas and Dusk till Dawn, Sicilian Vampire tells the story of reputed mobster Sonny Traficante who was hoping to get away to the family hunt lodge for a little rest and relaxation and create some memories. Instead, what he got was a night he will never forget. Once there, Sonny is bitten by a bat released from a container of bananas they brought up to the lodge. The bat takes a vicious bite of Sonny’s neck and then flies off into the night. From that moment on Sonny is entrusted with powers beyond that of any mortal – supersonic hearing, enhanced sight, and superhuman strength – even the ability to speak to the dead. Because of these heightened senses Sonny now feels a responsibility to right the wrongs in his life, and protect those he loves. At first, he resists these new found powers but in the end he welcomes his fate.

When affluent executive, Wayne Hayes is kidnapped by a disgruntled employee and held for ransom in a forest, Wayne’s wife is forced to reckon with the FBI agents as they negotiate with the kidnapper.

Claire and her husband find themselves moving back into Claire’s childhood home only to have the abusive and traumatic memories of her mother come back to haunt her. As her husband starts to get more work, Claire finds herself mixed up in a fog of past and present with a mysterious figure haunting her memories. What is this small figure that is trying to reach out to her, and what does it want?

Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.

A commitment-shy New York fashion model moves into an old brownstone apartment, meets her weird neighbours and discovers she’s sitting on the gateway to Hell.

The story involves a series of murders in Charron’s performing company, murders caused by various members getting doused with vitriolic acid. Turns out all the people killed have a common denominator in their past, one which has recently re-surfaced, and is out for their blood. Will the past be uncovered before it kills again? What awful secret has came back to haunt the living?

This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.