Johnny Kapahala, a teen snowboarding champion from Vermont, returns to Oahu, Hawaii, for the wedding of his hero — his grandfather, local surf legend Johnny Tsunami — and to catch a few famous Kauai waves. When Johnny arrives, he meets his new family including “Uncle Chris” (the 12-year-old son of his new step-grandmother) who resents the upcoming marriage. Chris’s only interest is to join a mountain boarding crew led by a teenage bully. When Johnny’s grandfather and his new wife open a surf shop that also caters to mountain boarders, they are soon embroiled in a turf war with a rival shop owner who wants to shut their business down.
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Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla’s husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg’s money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla’s scheme, however, doesn’t go off as planned.
An emerging journalist (Jesse Eisenberg), an experienced cameraman (Terrence Howard), and a discredited reporter (Richard Gere) find their bold plan to capture Bosnia’s top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad in a light-hearted thriller inspired by Scott Anderson’s popular Esquire article. The Weinstein Company provides stateside
Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.
A malfunctioning time machine at a ski resort takes a man back to 1986 with his two friends and nephew, where they must relive a fateful night and not change anything to make sure the nephew is born.
Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert Moreau is one of the artists whose sculptures are on display in the gallery. His wife, Josée, is intrigued by the stern Stanislas, who devotes his free time to photography in an apartment that highlights his sophisticated artistic tastes. But besides enlarged pictures of calligraphic samples, Stanislas is amassing a collection of photographs that reveal a disturbed character. So why would Josée endanger her mature relationship with Gilbert for the morbid observation of Stanislas’s hidden personality?
Lieutenant Rip Crandall is hoodwinked into taking command of the “Wackiest Ship in the Navy” – a real garbage scow with a crew of misfits who don’t know a jib from a jigger. What none of them knows, including Crandall, is that this ship has a very important top-secret mission to complete in waters patrolled by the Japanese fleet. Their mission will save hundreds of allied lives – if only they can get there in one piece.
Dane Jensen is a driven, Chicago-based headhunter, working at a cut-throat job placement firm. When Dane’s boss announces his retirement, he pits Dane against Lynn Vogel, Dane’s equally driven but polar-opposite rival at the firm, in a battle for control over the company.
A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother’s village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on the early frontier.
