A gay teenager finds out who he is and what he wants, who his friends are, and who loves him, in this autobiographical tale set in middle U.S. in the 1980s. Growing up, learning about life, love, sex, friends, and lovers.
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On the eve of her 16th birthday, Allison Riley (Sophie Bolen) disappears. When the police refuse their requests, her parents, Joanna (Kristy Swanson) and Case (Mark Boyd), reluctantly hire John Belton (Dean Cain), a private investigator with a reputation for questionable procedures and a dark past. Quickly, Belton realizes that Allison was coerced by a young handsome boy she met on social media and had been trafficked, and they are on a race against time to get her back.
Arthur (Dudley Moore), that irrepressible drunk, tries to sober up — and get a job — in this sequel to the 1981 smash hit. Meanwhile, the father of the girl Arthur stood up at the altar in the first film is conniving to trick the hapless boozer into marrying his daughter so he can gain entrée to Arthur’s $750 million fortune.
Marital fidelity can wear you down, and Ondra and Vitek are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn’t take long before these two long-married middle-aged pals start comparing sex notes, and it’s plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives – only they don’t exacly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they’ve established their own little Holy Quaternity.
A buffalo hunter (Stewart Granger) has a falling-out with his partner (Robert Taylor), who kills for fun.
Stan and Ollie are marooned on an atoll. This was their last film together.
In modern-day London, three men (Craig Ferguson, Jimi Mistry and David Morrissey) and three women (Olivia Williams, Jane Horrocks and Catherine McCormack) fall in and out of love and back again, to the Greek-chorus accompaniment of two cab drivers, who engage in an ongoing conversation about sex. A winning romantic comedy, Born Romantic is the second feature by British writer-director David Kane of This Year’s Love fame.
Chow plays a naive young kung fu student who leaves his rural home on a small island to find his fortune in Hong Kong under the dubious guidance of his uncle (Leung Kar Yan) who cons him into using his natural skills as a snooker player for financial gain. This film also starred six-time world snooker finalist Jimmy White as Chow’s final opponent.
Jack and Diane, two teenage girls, meet in New York City and spend the night kissing ferociously. Diane’s charming innocence quickly begins to open Jack’s tough skinned heart. But, when Jack discovers that Diane is leaving the country in a week she tries to push her away. Diane must struggle to keep their love alive while hiding the secret that her newly awakened sexual desire is giving her werewolf-like visions.
Biography of Mohammed Ali Jinnah, the founder of modern Pakistan is told through flashbacks as his soul tries to find eternal rest. The flashbacks start in 1947 as Jinnah pleads for a separate nation from the Muslim regime, infuriating Lord Mountbatten. Mountbatten then tries to enlist Gandhi & Nehru to persuade Jinnah to stop his efforts. Gandhi sides with Jinnah, which upsets Nehru. However, Jinnah turns down the offer to become prime minister and the film takes another slide back to 1916, which reveals all of the political implications that have occurred.
Ashens is going on a quest to find the legendary, and elusive electronic tat known as the Game Child.
Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing. They fall into adventures involving baseball, treehouse sleep-ins, the desirous lifeguard at the local pool, the snooty rival ball team, and the travelling fair.
