3 brother return to the village of Bunohan with three very different reasons; they will encounter death, deceit and a very grim revelation.

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.

After losing her job, a single mom falls into a lucrative but ultimately dangerous scheme selling prescription drugs.

An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver “Daddy” Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks’ mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

To amuse themselves during the winter school break, the kids in a small village decide to have a massive snowball fight. Luke and Sophie, both 11 years old, become the leaders of the opposing sides. Sophie and her cohort defend an elaborate snow fort against the assault of Luke’s horde. Whichever side occupies the fort at the end of the winter break, wins. But what starts out as pure youthful fun and enthusiasm deteriorates into a more serious conflict. Joy is restored when all the children decide to attack the fort rather than each other and happily destroy every last bit of the snow fort.

The protagonist is a young woman, Joan Prats suffering from agnosia, a strange, primary visual disease that is one of the neuropsychological disorders of perception. Although her eyes and ears are in perfect condition, her brain is not able to correctly interpret the stimuli it receives. Joan is the only person to know an industrial secret left behind by her late father and becomes the victim of a sinister plan to extract this information. Her captors plan to use her sensory condition to help extract the information that they so desperately want.

Three troubled young girls will do anything to escape their stifling lives – even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

In the wake of his dramatic escape from captivity, Jesse Pinkman must come to terms with his past in order to forge some kind of future.

Sexually abused as a young girl, Kate “Ma” Barker (Shelley Winters) grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman (Don Stroud), who still shares a bed with Ma; Fred (Robert Walden), an ex-con who fell in love with a fellow prisoner; and Lloyd (Robert De Niro), who gets high on whatever’s handy. Together they form a deadly, bizarre family of Depression-era bandits.

In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his “Merantau” a century’s old rites-of-passage to be carried out by the community’s young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.