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A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the “riot grrrl” movement of the 1990s.
Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.
Last month, 82 Nigerian schoolgirls were released after 3 years of imprisonment. In exchange, 5 terrorist leaders walked free – These leaders belong to Boko Haram, the most bloodthirsty terrorist group on the planet. The group gained global notoriety after their kidnapping of 276 students in 2014, over 100 of which have not yet been released. Their objective: to establish a Caliphate and impose sharia – Islamic law – in the heart of Africa. In an attempt to understand who these terrorists are, how they operate, and what kind of a threat they represent to Africa and the rest of the world, we have investigated in Nigeria, Cameroon and on the border of Niger and Nigeria, meeting former prisoners, repented jihadists and troops on the frontline.
In this documentary, Chelsea Handler explores how white privilege impacts American culture — and the ways it’s benefited her own life and career.
With a single abortion clinic remaining in the state of Mississippi, the city of Jackson has become ground zero in the nation’s battle over reproductive health-care. Jackson is an intimate portrait of the interwoven lives of three women in this town. Wrought with the racial and religious undertones of the Deep South, the lives of two women are deeply affected by the director of the local pro-life crisis pregnancy center and the movement she represents.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, Among the Believers is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world.
Viktor Bout was a war profiteer, an entrepreneur, an aviation tycoon, an arms dealer, and—strangest of all—a documentary filmmaker. The Notorious Mr. Bout is the ultimate rags-to-riches-to-prison memoir, documented by the last man you’d expect to be holding the camera.