An adaptation of Milena Agus’ eponymous novel set after WWII, “Mal de Pierres” (“Mal di Pietre”) spans 20 years, following the destiny of a passionate, free-spirited woman who is in a loveless marriage and falls for another man.
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Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
Vietnam veteran Billy Ray Lancing, a former CSA agent who now works on a wildlife refuge in Northern Alaska, has been exchanging letters in a pen-pal relationship with Irina Morawska, a 13-year-old orphaned girl in Poland that he’s helping out financially. When the letters suddenly stop coming, Billy heads to Poland to figure out why — only to discover that the orphanage that Irina was staying in, which is financed by honest — and unsuspecting — good-intentioned Samaritans, is a cover for a human trafficking network.
A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family’s struggles with money and her desperate need for jobs; and Eugenia “Skeeter” Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around “the help”; yet they are always kept at a certain distance because of racial lines.
Denmark in the 70’s. The teenager Christoffer’s parents Nisse and Maria have decided to move into a commune because they want to try the alternative lifestyle. But Christoffer doesn’t like it and has trouble adapting. In school the others tease him because he lives in a commune. As a plan from the elders in the commune he starts in a Maoist group to learn about the real ways of the society. He doesn’t like it but when his new girlfriend starts to see what he does as cool he goes into it. But at the same time the police start to suspect him to be the terrorist who blows up telephone booths around Copenhagen.
Secrets, murders and lies… all in the name of family. In the middle of nowhere sits the Armadillo Café.The once popular, but now desolate, café is run by a strange family led a troubled, booze-addled mother (Betty Buckley) and a disturbed family (Lori Heuring, Brad Renfro, Jonathon Schaech). Their dark secrets are threatened when Sarah (Clare Kramer) arrives, seeking answers to her past.Turmoil reigns and emotions boil over as the horrifying truth unravels and Sarah barely escapes with her life.
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.
A high school student in central California sets off an unexpected series of events when she begins to doubt if sheandapos;s human.
Shire is the subject of a perverse obsession by a Lesbian neighbor, Andrea, who not only is in lust with her but hires a rapist in order to get audio tapes of her moaning. Ashley turns pepping tom and watches Shire with a telescope as she begins an affair with Det. Cortese.